Since Columbus arrived in 1492 and called Cuba “the most beautiful country that human eyes have ever seen,” few places on earth have evoked such passion. The thirty-one writers in Cuba in Mind offer ample proof of the fascinations that have lured generations of travelers. In this richly varied anthology of poetry, fiction, and nonfiction, we hear from such famous visitors as Anthony Trollope, Langston Hughes, Ernest Hemingway, and Graham Greene. Poets and journalists offer their responses, from Allen Ginsberg and Jayne Cortez to Alma Guillermoprieto and Robert Stone; and novelists weigh in with such fictional portrayals as Elmore Leonard’s Cuba Libre and Pico Iyer’s Cuba and the Night. Cuban exiles, immigrants, and their offspring provide their unique perspective, from Cristina García’s essay “Simple Life” to excerpts from Oscar Hijuelos’s novel The Mambo Kings Play Songs of Love and from Carlos Eire’s memoir Waiting for Snow in Havana. Embracing salsa and santeria, politics and baseball, the island’s sparkling beaches and the teeming Havana streets, Cuba in Mind captures the vibrancy, the contradictions, the heat and the humor of Cuba as shown by some of the best writers in the English language. Contributors: Thomas Barbour • José Barreiro • Ruth Behar • William Cullen Bryant • Jayne Cortez • Stephen Crane • Andrei Codrescu • Eleanor Early • Carlos Eire • Kimi Eisele • Cristina García • Allen Ginsberg • Graham Greene • Alma Guillermoprieto • Elizabeth Hanly • Ernest Hemingway • Consuelo Hermer • Oscar Hijuelos • Langston Hughes • Pico Iyer • Elmore Leonard • Rosa Lowinger • Marjorie May • Tom Miller • Holly Morris • Ricardo Pau-Llosa • Robert Stone • Jim Shepard • Isadora Tattlin • Anthony Trollope • Walter D. Wilcox

List of members in v. 7.

The “altogether astonishing” true story of a black American finding fame and fortune in Moscow and Constantinople at the turn of the 20th century (Booklist, starred review). The Black Russian tells the true story of Frederick Bruce Thomas, a man born in 1872 to former slaves who became prosperous farmers in Mississippi. But when his father was murdered, Frederick left the South to work as a waiter in Chicago and Brooklyn. Seeking greater freedom, he traveled to London, then crisscrossed Europe, and—in a highly unusual choice for a black American at the time—went to Russia. Because he found no color line there, Frederick settled in Moscow, becoming a rich and famous owner of variety theaters and restaurants. When the Bolshevik Revolution ruined him, he barely escaped to Constantinople, where he made another fortune by opening celebrated nightclubs as the “Sultan of Jazz.” Though Frederick reached extraordinary heights, the long arm of American racism, the xenophobia of the new Turkish Republic, and Frederick’s own extravagance brought his life to a sad close, landing him in debtor’s prison, where he died a forgotten man in 1928. “In his assiduously researched, prodigiously descriptive, fluently analytical” narrative (Booklist, starred review), Alexandrov delivers “a tale . . . so colourful and improbable that it reads more like a novel than a work of historical biography.” (The Literary Review). “[An] extraordinary story . . . [interpreted] with great sensitivity.” —The New York Review of Books

Why do we travel? Ostensibly an act of leisure, travel finds us thrusting ourselves into jets flying miles above the earth, only to endure dislocations of time and space, foods and languages foreign to our body and mind, and encounters with strangers on whom we must suddenly depend. Travel is not merely a break from routine; it is its antithesis, a voluntary trading in of the security one feels at home for unpredictability and confusion. In Bewildered Travel Frederick Ruf argues that this confusion, which we might think of simply as a necessary evil, is in fact the very thing we are seeking when we leave home. Ruf relates this quest for confusion to our religious behavior. Citing William James, who defined the religious as what enables us to "front life," Ruf contends that the search for bewilderment allows us to point our craft into the wind and sail headlong into the storm rather than flee from it. This view challenges the Eliadean tradition that stresses religious ritual as a shield against the world’s chaos. Ruf sees our departures from the familiar as a crucial component in a spiritual life, reminding us of the central role of pilgrimage in religion. In addition to his own revealing experiences as a traveler, Ruf presents the reader with the journeys of a large and diverse assortment of notable Americans, including Henry Miller, Paul Bowles, Mark Twain, Mary Oliver, and Walt Whitman. These accounts take us from the Middle East to the Philippines, India to Nicaragua, Mexico to Morocco--and, in one threatening instance, simply to the edge of the author’s own neighborhood. "What gives value to travel is fear," wrote Camus. This book illustrates the truth of that statement.