BAD SUBJECTS offers a critique of the post-1960s left in the United States and attempts to reclaim a utopian vision. Simultaneously a valuable resource and an inspiration, BAD SUBJECTS is an example of a progressive political community making use of new technologies. It covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.

Bad Subjects examines the social and cultural milieu of the early modern French empire through an analysis of the quasi-criminal category of libertinage in the French Atlantic.

Selected essays on politics, culture and society by the groundbreaking Californian activist group.

Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.