A New York Times bestseller! This is a book about a bad seed. A baaaaaaaaaad seed. How bad? Do you really want to know? He has a bad temper, bad manners, and a bad attitude. He’s been bad since he can remember! This seed cuts in line every time, stares at everybody and never listens. But what happens when one mischievous little seed changes his mind about himself, and decides that he wants to be—happy? With Jory John’s charming and endearing text and bold expressive illustrations by Pete Oswald, here is The Bad Seed: a funny yet touching tale that reminds us of the remarkably transformative power of will, acceptance, and just being you. Perfect for readers young and old, The Bad Seed proves that positive change is possible for each and every one of us. Check out Jory John and Pete Oswald’s funny, bestselling books for kids 4-8 and anyone who wants a laugh: The Bad Seed The Good Egg The Cool Bean The Couch Potato The Good Egg Presents: The Great Eggscape! The Bad Seed Presents: The Good, the Bad, the Spooky! The Cool Bean Presents: As Cool as It Gets That’s What Dinosaurs Do

Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children.

"Holly Black, Joe R. Lansdale, Michael Marshall Smith, Stephen King, Peter Straub, Lisa Tuttle, and many more"--Cover.

Now reissued – William March's 1954 classic thriller that's as chilling, intelligent and timely as ever before. This paperback reissue includes a new P.S. section with author interviews, insights, features, suggested reading and more. What happens to ordinary families into whose midst a child serial killer is born? This is the question at the center of William march's classic thriller. After its initial publication in 1954, the book went on to become a million–copy bestseller, a wildly successful Broadway show, and a Warner Brothers film. The spine–tingling tale of little Rhoda Penmark had a tremendous impact on the thriller genre and generated a whole perdurable crop of creepy kids. Today, The Bad Seed remains a masterpiece of suspense that's as chilling, intelligent, and timely as ever before.

This book tells the story of the Galloway Boys, who as young teens banded together in an urban-blighted area of Toronto's east end to sell drugs and run guns. They were led by Tyshan Riley, born into one of the toughest neighborhoods in Canada and raised by an often absent and erratic mother. He learned his lessons on the streets-how to sell drugs, how to steal--and used violence to get the money, sex and respect that he lived for. The area known as Galloway is home to 186 hectares of public housing. Crossing bridges is the only route into the area. It created a sense of isolation and for those who lived there a sense of mistrust of anyone from the outside. The area was a fertile ground for the growth of gangs--and as well for the drug dealers, prostitutes and crackheads who survived along a major east-west thoroughfare leading in and out of Toronto's downtown core. And while the Galloway Boys lay claim to their turf, farther to the north the Malvern Crew was laying claim to theirs. The war was inevitable and it would claim ten casualties, including the innocent. For three Galloway Boys - Tyshan Riley, Philip Atkins and Jason Wisdom - their days in the street were numbered. With the cold-blooded murder of Brenton Charlton and the near fatal shooting of his friend Leonard Bell at a busy Toronto intersection on March 3, 2004, the police investigation would lead to the arrest of Riley, Atkins and Wisdom, and with the testimony of a former Galloway Boys gang member, Roland Ellis, the three would be convicted of the first-degree murder of a man who was just in the wrong place at the wrong time. Through the testimony of Ellis and that of other witnesses, the wiretap evidence, Crown attorney and defense arguments, a portrait of a gang emerges, one that lives on our streets yet is hidden to our eyes. Bad Seeds compels us to take our blinders off and face a reality of modern urban life that no one professes to care about very much. There is peril in willing blindness.

In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, "a complex, chilling and completely bizarre journey into Cave World." Nick Cave & The Bad Seeds: An Art Book collects Kleist's moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave's imaginative world with comic book reimaginings of "Deanna," "The Good Son," and "Stagger Lee." Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave's wide-ranging career as a storyteller, musician, and cultural icon.

A widely acclaimed biography of one of rock's most compelling, uncompromising and influential singer-songwriters, Ian Johnston's BAD SEED offers a superb overview of Nick Cave's career to date. Through Cave's fronting of the incendiary bands The Birthday Party and The Bad Seeds, producing music of unfettered expression and explosive intensity, to his creative collaborations outside of the rock industry in film and literature, BAD SEED illustrates a life lived in barely controlled chaos: and unravels the motivation and unique appeal of a reluctant icon whose songs, according to the Rolling Stones, possess "the authority of the most primal kind of myth."