Bad Jews and Other Stories is a nuanced and comic vision of life, love, and spiritual adventurism among the determinedly secular class of contemporary American Jews. Separated from the character-building hardships endured by their parents and grandparents, unable to find a faith of their own or for that matter to believe in much of anything at all, the characters of Bad Jews and Other Stories wander through the moral landscape of their lives in a loopy version of the Children of Israel?s meandering way home. Along the way they suffer a range of antic, often absurd misadventures. And as often as not they find redemption as well as disaster.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Bad Jews and Other Stories is a nuanced and comic vision of life, love, and spiritual adventurism among the determinedly secular class of contemporary American Jews. Separated from the character-building hardships endured by their parents and grandparents, unable to find a faith of their own or for that matter to believe in much of anything at all, the characters of Bad Jews and Other Stories wander through the moral landscape of their lives in a loopy version of the Children of Israel's meandering way home. Along the way they suffer a range of antic, often absurd misadventures. And as often as not they find redemption as well as disaster.

You can be called a Bad Jew—by the community or even yourself—if you don’t keep kosher, don’t send your children to Hebrew school, or enjoy Christmas music; if your partner isn’t Jewish, or you don’t call your mother enough. But today, amid fears of rising antisemitism, what makes a Good or Bad Jew is a particularly fraught question. There is no answer, argues Emily Tamkin. Several million now identify as American Jews; but they don’t all identify with one another. American Jewish history, like all Jewish history, has been about transformation—and full of discussions, debates and hand-wringing over who is Jewish, how to be Jewish, and what it means to be Jewish. Bad Jews is a rich, absorbing reflection on 100 years of American Jewish identities and arguments. Tamkin’s fascinating, diverse interviews explore the complex story of American Jewishness, and its evolving, conflicting positions, from assimilation, race, and social justice; to politics, Zionism, and Israel. She pinpoints the one truth about Jewish identity: It’s always changing.

North American Edition of the UK Bestseller How identity politics failed one particular identity. ‘a must read and if you think YOU don’t need to read it, that’s just the clue to know you do.’ SARAH SILVERMAN ‘This is a brave and necessary book.’ JONATHAN SAFRAN FOER ‘a masterpiece.’ STEPHEN FRY

Bad Jews tells the story of Daphna Feygenbaum, a “Real Jew†? with an Israeli boyfriend. When Daphna’s cousin Liam brings home his shiksa girlfriend Melody and declares ownership of their grandfather’s Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.

A PopMatters Best Book of the Year A perceptive study of how Israel’s actions, which run counter to the traditional historical values of Judaism, are putting Jewish people worldwide in an increasingly untenable position, now with a new introduction. More than a decade ago, the historian Tony Judt considered whether the behavior of Israel was becoming not only “bad for Israel itself” but also, on a wider scale, “bad for the Jews.” Under the leadership of Benjamin Netanyahu, this issue has grown ever more urgent. In The State of Israel vs. the Jews, veteran journalist Sylvain Cypel addresses it in depth, exploring Israel’s rightward shift on the international scene and with regard to the diaspora. Cypel reviews the little-known details of the military occupation of Palestinian territory, the mindset of ethnic superiority that reigns throughout an Israeli “colonial camp” that is largely in the majority, and the adoption of new laws, the most serious of which establishes two-tier citizenship between Jews and non-Jews. He shows how Israel has aligned itself with authoritarian regimes and adopted the practices of a security state, including the use of technologies such as the software that enabled the tracking and, ultimately, the assassination of Saudi Arabian journalist Jamal Khashoggi. Lastly, The State of Israel vs. the Jews examines the impact of Israel’s evolution in recent years on the two main communities of the Jewish diaspora, in France and the United States, considering how and why public figures in each differ in their approaches.