In a world dominated by pop culture, society often relishes the self-destructive antics of famous women, and in response young women often adopt behaviors reflected by these celebrities. As an educator and author, Kikelomo Thompkins has witnessed the unsettling and negative behaviors of young adults who sell themselves short by adopting unsavory habits. Building on her observations and personal experiences, she now seeks to help so-called Bad Girls--young women with an array of destructive personality traits--find healthier ways of fulfilling themselves without getting caught up in the madness. This guide for young women offers advice on a wide range of topics, including public behavior, language, gossiping, personal finances, grooming and hygiene, and success in the workplace. Thompkins also explores how to use social media in a positive way; how to end a toxic relationship and start over; and how to reflect, change, and create a new you. With an open mind and heart, you can rid yourself of unhealthy and destructive habits, free yourself from everything that has been holding you back, and start on the path to true, lasting success.

THE MEN WHO MADE MARCH From its humble beginnings in 1895 to its modern-day dominance over American culture for the entire month of March, college basketball is often called madness and is well-deserving of the title. Most NCAA basketball coaches fail; however, the special few profiled in this book didn’t just succeed where others failed, they influenced the game; changed it; and altered its very course. The ten men featured in this anthology went about coaching differently, each bringing their own approach and mindset to the hardwood, and their success is unprecedented: John Wooden (UCLA) Bobby Knight (Indiana University) Adolph Rupp (University of Kentucky) Dean Smith (University of North Carolina) Phog Allen (University of Kansas) Mike Krzyzewski (Duke University) Jerry Tarkanian (UNLV) Jim Boeheim (Syracuse University) Lou Carnesecca (St. John’s University) Jim Calhoun (University of Connecticut)

A nave teenage girl in her senior year of high school comes home to find all her belongings packed and sitting on the front porch. Airstreams abusive father, who silently laments the loss of his baseball career, and a mother, who lives in a world convinced she is Cleopatra before Cleopatra was Cleopatra, have decided Air is a commie-pinko since she reads Ramparts and the Berkeley Barb. From an early age, Air realized in order to survive her bizarre family life she had to protect her authentic self. Whimsical, innately talented, and fiercely independent by nature, Air struggles to piece her life together as she finds herself continually caught in youve-got-to-be-kidding-me circumstances. The author marvelously portrays heart-rending stories with wit and humor. Despite being emotionally abandoned by her parents, Air becomes an engrossing, strong and fascinating young woman, determined to be a successful artist without any formal training. Ingenious and persistent, Air is on a mission to confront her demons and multi-personalities, surmounting the endless, inexplicable far-fetched absurdly funny bumps in the road to prove she is lovable and worthy of love. Airs life path is far from normal.

In volumes1-8: the final number consists of the Commencement annual.

Analyst and author Ann Belford Ulanov draws on her years of clinical work and reflection to make the point that madness and creativity share a kinship, an insight that shakes both analysand and analyst to the core, reminding us as it does that the suffering places of the human psyche are inextricably—and, often inexplicably—related to the fountains of creativity, service, and even genius. She poses disturbing questions: How do we depend on order, when chaos is a necessary part of existence? What are we to make of evil—both that surrounding us and that within us? Is there a myth of meaning that can contain all the differences that threaten to shatter us? Ulanov’s insights unfold in conversation with themes in Jung’s Red Book which, according to Jung, present the most important experiences of his life, themes he explicated in his subsequent theories. In words and paintings Jung displays his psychic encounters from1913–1928, describing them as inner images that “burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me.” Responding to some of Jung’s more fantastic encounters as he illustrated them, Ulanov suggests that our problems and compulsions may show us the path our creativity should take. With Jung she asserts that the multiplicities within and around us are, paradoxically, pieces of a greater whole that can provide healing and unity as, in her words, “every part of us and of our world gets a seat at the table.” Taken from Ulanov’s addresses at the 2012 Fay Lectures in Analytical Psychology, Madness and Creativity stands as a carefully crafted presentation, with many clinical examples of human courage and fulfillment.

Growing up in an abusive, poverty-stricken family in Appalachia, John Wagner seemed born with suffering in his blood. No matter how his circumstances changed, he was constantly drawn to tragedy. Escaping his grisly childhood, John took with him the most important lesson his mother ever taught him: that if you’re still breathing, you’re still fighting. In the midst of addiction, betrayal, and mental illness, John struggled to build a legacy of strong family values, stability, and love. The cycle of abuse is hard to watch, and even harder to break. Despite the demons John brought into their everyday existence, the Wagner family grew and evolved. Together they learned that to truly experience joy, they also had to survive times of unspeakable pain. Join this family as they find the will to keep fighting for themselves, taking one step forward even after taking three steps back. When I’m 64 focuses on the possibility of hope that lives within us all and guides us through the darkest hours and into the light.

Dealing with some of the most heinous crimes imaginable, forensic neuropsychologist and psychoanalyst Dr. Richard Lettieri gives a behind-the-scenes look at criminal psychology through case studies from his over 30 years of experience as a court-appointed and privately retained psychologist. With cases like Michael, who stabbed his mother in the back believing she was the evil force causing the sun to descend upon the earth and gobble him up, and Tina, who seriously injured her boyfriend and stabbed his son to death, Decoding Madness is filled with gripping stories and forensic analysis. Through psychological examination, it is the author’s job to conclude whether these individuals are truly guilty and understand their actions are wrong, or if these individuals are not guilty by reason of insanity and instead require treatment. Decoding Madness offers a nuanced psychological understanding of defendants and their personal complexities beyond the usual clinical accounts. The book introduces the novel idea of the daimonic as a basic force of human nature that is the source of our constructive and destructive capacities and argues for an update to the criminal justice system’s perspective on rationality and conscious thinking. Featuring new findings and personal insights, Dr. Lettieri presents an engrossing view of the psychology of defendants accused of committing heinous crimes and the insight that they provide towards the human mind.