Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? The authors in this volume propose shifts in our perceptions of bad girls by providing new ways to understand them through the case of Japan. By tracing the concept of the bad girl as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. Bad Girls of Japan explores deviancy in richly diverse media: mountain witches, murderers, performance artists, cartoonists, schoolgirls and shoppers gone wild are all part of the terrain.

Kim’s gang had better watch out! Tanya’s my friend now, and she’ll show them! Mandy has been picked on at school for as long as she can remember, so she is delighted when cheeky, full-of-fun Tanya befriends her. Mum isn’t happy – she thinks Tanya’s a “bad girl” and a bad influence. Is she or isn’t she?

"Bad Youth draws from official sources as well as press accounts, novels, songs, and films. Throughout, Ambaras demonstrates that juvenile protection remained contested terrain marked by complex negotiations among reformers, young people, and the adults in their lives, for whom the promises and perils of modernity could assume starkly different meanings."--BOOK JACKET.

This hilarious follow-up to the wildly popular Bad Girl's Guide to the Open Road is the ultimate guide to getting itanything and everythingin Bad Girl style. Delayed gratification is a thing of the past with this inspired collection of tips and tricks for scoring love, fame, money, power, parking spaces, and other essentials. With sure-fire schemes for everything from free food and airline miles to insider lingo for paving pesky resume gaps, The Bad Girl's Guide to Getting What You Want shows how to fake it fabulously. But spin and strategy are just the beginningthe truth can be an even more wicked weapon. Learn the secrets of men's hair, the landlord's Achilles' heel, and the maitre d's darkest desires, and the dream date, great apartment, and best table are yours! Racy bad-girl confessions and edgy illustrations make this indispensable volume even dishier. Ethics are overratedit's the results that count! Pack this sassy package in your purse and knowing what you want is as good as getting it.

Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye. TOKYO CINEGRAPHIX is a new high-quality book series which aims to represent some of the very best film posters created in Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions. TOKYO CINEGRAPHIX TWO focuses solely on Japanese cinema, and its infamous "bad girl" or "pinky violence" blend of sex and crime - from murdered strippers to female assassins, yakuza molls, delinquent highschool girls, sword-wielding female gamblers, killer prostitutes, female prisoners, girl gangs and tattooed she-bikers.

Between 1970 and 1974, numerous Japanese film companies in particular Nikkatsu and Toei produced dozens of films in a new sub-genre which combined action, sex, violence and crime, and was dominated by ruthless and deadly delinquent females. This sub-genre, which Toei would eventually dominate and define, is now known as pinky violence. contains an extensive introductory history by Jack Hunter, as well as illustrated sections on all the main pinky violence series and one-offs. There are 140 rare images of film posters and publicity.

From Delilah to Cleopatra, from Anne Boleyn and (bloody) Queen Mary, to Calamity Jane, Typhoid Mary and more, the 26 notorious women analyzed here all have rotten reputations. But were these vixen really as wicked as they seemed?