Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.

Thick with suspense and simmering with adolescent turmoil, Bad Girls is an action-adventure survival story that pits a group of troubled teens against a forbidding tropical landscape, an elusive enemy, and, worst of all, each other. It's Mean Girls meets Lord of the Flies, and it marks the debut of an innovative new voice in fiction. Anna Wheeler's parents have had it up to here. They can't seem to control their daughter anymore and so, one night, Anna's yanked from her bed and carted off to Camp Archstone -- bootcamp for troubled teen girls. There, on a vast, remote, sparsely populated island, Anna will be expected to change her ways and repent for the sins her religious father just can't seem to forgive. Here's a hint: There's a boy involved. No, a man. Life at Camp Archstone is Anna's worst nightmare. Every minute of the day is scheduled, the counselors are hardcore, and one girl is crueler than the next. But when a grueling hike into the forest goes horribly wrong, things go from bad to worse. Stalked by an unknown foe and left to fend for themselves, the girls band together to try to find their way back to civilization -- and that's when the real trouble begins.

Rule No. 1: Don't piss off the Sick Boys They're cruel. Reckless. Impossibly fucked up. The Sick Boys feed on the order they create. They rule Eastpoint University just as their families have for decades. But their power doesn't stop there. The three of them are heirs to some of the largest fortunes in the world, and behind that kind of wealth lies an underworld of corruption. On the surface, they're perfect princes and he is their King. But underneath it all, they're filled with blood, lies, and secrets. With all of their connections, they have the power to crush anyone who gets in their way. But just because they're as warped as I am doesn't mean I'm going to give them a free pass. Because I, Avalon Manning, bow to no one, and I live to break the fucking rules. ***This is a Dark MF Enemies to Lovers College Romance.*** ***Please Note: This book is labeled as "Dark" for a reason. If you are sensitive or easily triggered by subjects and actions that are common in "dark" romance, please take that into consideration and read responsibly.***

Murkin was the code name chosen by the FBI for their investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, 20 years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Melanson . . . has done an exhaustively thorough job on the still-mysterious King assassination. After following Melanson's meticulous pursuit of seemingly every lead in the case--including interviews with the men whose names were used as aliases for alleged killer James Earl Ray--there can be little doubt in the reader's mind that neither of the two official versions of what happened could have been the whole truth. The first was the ever-popular notion of the lone killer: Ray. The second, propounded by a clearly inept congressional investigation a decade after the 1969 shooting, was that an ill-defined racist conspiracy was behind the assassination. What seems unarguable is that Ray, a petty criminal, could not have killed King unaided. There are too many improbabilities--the source of his carefully chosen Canadian aliases, the identity of the `fat man' who brought him a `letter' in Toronto during his escape, the odd setup at the rooming house from which the shot was fired. It is Melanson's thesis that there was high-level intelligence involvement, probably by the CIA, which was violently alarmed by King's anti-Vietnam stance. Publisher's Weekly Murkin was the code name chosen by the FBI for the investigation into the assassination of Dr. Martin Luther King, Jr., in 1968. Today, twenty years after the fatal shooting of the civil rights leader, Philip H. Melanson, a renowned authority on American political assassinations, unveils his own investigation into the murder. Through extensive interviews, research, and Freedom of Information Act requests, Melanson analyzes the official investigations, the evidence, the performance of law enforcement officials, the role of James Earl Ray, and the questions of conspiracy. Much of the data presented has never before been published. Based on his detailed investigation, Melanson offers a revisionist interpretation of the King case, demonstrating that it remains unsolved. Melanson argues persuasively that both the FBI's conclusion that Ray acted alone and the later 1978 House Select Committee on Assassinations decision that Ray was backed by a conspiracy of St. Louis-based white supremacists are not supported by the evidence. Although Melanson concludes that Ray did not, in fact, act alone, he contends that the official investigations were so flawed that the conspirators behind him are still unidentified. His own conclusions regarding the probable source of the conspiracy offer a sobering indictment of the ways in which powerful interests, left unchecked, can wreak havoc on American democratic processes.

"The first biography of Helen Gurley Brown, author of the 1962 international bestseller Sex and the Single Girl and 32-year editor of Cosmopolitan magazine. Scanlon had unprecedented access to Brown's papers, and she presents Brown in the context of the feminist movement, highlighting her role as an advocate of professional accomplishment and sexual freedom for women"--Provided by publisher.

It's the first day of school, and Camilla discovers that she is covered from head to toe in stripes, then polka-dots, and any other pattern spoken aloud! With a little help, she learns the secret of accepting her true self, in spite of her peculiar ailment.

From NYT bestselling author Blue Balliett, the story of a girl who falls into Chicago's shelter system, and from there must solve the mystery of her father's strange disappearance. Where is Early's father? He's not the kind of father who would disappear. But he's gone . . . and he's left a whole lot of trouble behind.As danger closes in, Early, her mom, and her brother have to flee their apartment. With nowhere else to go, they are forced to move into a city shelter. Once there, Early starts asking questions and looking for answers. Because her father hasn't disappeared without a trace. There are patterns and rhythms to what's happened, and Early might be the only one who can use them to track him down and make her way out of a very tough place.With her signature, singular love of language and sense of mystery, Blue Balliett weaves a story that takes readers from the cold, snowy Chicago streets to the darkest corner of the public library, on an unforgettable hunt for deep truths and a reunited family.