Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s tale about finding a community on the margins. In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila. Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s. Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.

After getting caught hooking up with her best friend’s ex on the last day of junior year, Kendall starts senior year friendless and ostracized. She plans to keep her head down until she graduates. But after discovering her online identity has been hacked and she’s being framed for stealing from a dealer, Kendall is drawn into a tenuous partnership with the mastermind of a drug ring lurking in the shadows of her Brooklyn private school. If she wants to repair her tattered reputation and save her neck, she’ll have to decide who she really is—and own it. The longer she plays the role of “bad girl,” the more she becomes her new reputation. Friends and enemies, detectives and drug dealers—no one is who they appear to be. Least of all Kendall.

Finalist for the 2020 Edgar Award for Best Novel From the internationally bestselling author who Stephen King calls “an absolute master,” a fiendishly clever thriller about a dangerous young woman with the ability to know when someone is lying—and the criminal psychologist who must outwit her to survive. A girl is discovered hiding in a secret room in the aftermath of a terrible crime. Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth. Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who died on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth? Emotionally explosive, swiftly paced, and “haunting…Robotham expertly raises the tension as the action hurtles toward the devastating climax” (Publishers Weekly, starred review).

Kim’s gang had better watch out! Tanya’s my friend now, and she’ll show them! Mandy has been picked on at school for as long as she can remember, so she is delighted when cheeky, full-of-fun Tanya befriends her. Mum isn’t happy – she thinks Tanya’s a “bad girl” and a bad influence. Is she or isn’t she?

He's the bad boy from the wrong side of the river. She's the rich girl who wants for nothing. They call them the rats. The people from the poor side of Richstone river. Privilege lies just a short walk away and Liam Lawson wants it. When the head of Richstone Academy offers four places to the students of Sharrow Manor, he hatches a plan to ensure he and his friends get the opportunity to change their lives for the better... forever. Via a pact of blackmail and corruption of the girls of Richstone. They call them the riches. The people from the wealthy side of Richstone river. A life of excess and expectation, but Phoebe Ridley doesn't want it. When her mother starts a social experiment at Richstone Academy, Phoebe is intrigued to meet the rats, to see how they'll cope among the elite. She and her friends make up their own experiment. Via a pact of claiming a rat and getting them to do their bidding. But as the two sides of the river collide and the games begin, the stakes get higher and their moves darker and deadlier... And not everyone will make it out alive. Warning: This book ends on a cliffhanger and the story concludes in Bad Bad Girl, book 2, out April 2021. For the ultimate in delayed gratification read and wait! Angel xo