In the gripping new Baby Ganesh Agency novel, Inspector Chopra and his elephant sidekick investigate the death of one of Mumbai's wealthiest citizens, a murder with ramifications for its poorest. The Parsees are among the oldest, most secretive and most influential communities in the city: respected, envied and sometimes feared. When prominent industrialist Cyrus Zorabian is murdered on holy ground, his body dumped inside a Tower of Silence - where the Parsee dead are consumed by vultures - the police dismiss it as a random killing. But his daughter is unconvinced. Chopra, uneasy at entering this world of power and privilege, is soon plagued by doubts about the case. But murder is murder. And in Mumbai, wealth and corruption go in hand in hand, inextricably linking the lives of both high and low...

A new novella in the charming Baby Ganesh Agency series. In a symbolic journey of reconciliation, the Monsoon Express is travelling between hostile neighbours India and Pakistan. The passenger list includes politicians, celebrities, former Mumbai policeman Inspector Chopra and his baby elephant ward Ganesha. Then a senior diplomat is found murdered in his cabin. Accusations fly, tensions rise, and an international incident seems certain. But is the murder political - or personal? Tasked to investigate, Chopra has just hours before the train reaches its destination and the news goes public. He must unmask the killer quickly if he's to stop the last journey of the Monsoon Express going entirely off the rails...

'The Da Vinci Code meets post-Independence India. I'd be surprised if I read a better book this year' M. W. CRAVEN 'This is a crime novel for everyone; for those who love traditional mysteries there are clues, codes and ciphers, but it also had a harder edge and a post-war darkness. Brilliant' ANN CLEEVES A priceless manuscript. A missing scholar. A trail of riddles. For over a century, one of the world's great treasures, a six-hundred-year-old copy of Dante's The Divine Comedy, has been safely housed at Bombay's Asiatic Society. But when it vanishes, together with the man charged with its care, British scholar and war hero, John Healy, the case lands on Inspector Persis Wadia's desk. Uncovering a series of complex riddles written in verse, Persis - together with English forensic scientist Archie Blackfinch - is soon on the trail. But then they discover the first body. As the death toll mounts it becomes evident that someone else is also pursuing this priceless artefact and will stop at nothing to possess it . . . Harking back to an era of darkness, this second thriller in the Malabar House series pits Persis, once again, against her peers, a changing India, and an evil of limitless intent. Gripping, immersive, and full of Vaseem Khan's trademark wit, this is historical fiction at its finest. 'A delicious treat of a historical crime novel' OBSERVER 'Thoroughly enjoyable' DAILY MAIL *** Book one in this series, Midnight at Malabar House, won the CWA Sapere Books Historical Dagger and is an international ebook bestseller. *** 'A wonderful, pacy, literary mystery with a brilliant female protagonist. Vaseem writes books that are good for the soul' STEVE CAVANAGH 'A hugely entertaining, devilishly clever and immersive murder mystery. Inspector Persis Wadia is a brilliant creation and The Dying Day is a triumph. This is my favourite new crime series, and I can't recommend it highly enough. Treat yourself!' ANTONIA HODGSON 'In The Dying Day, Vaseem Khan paints an extraordinarily vivid picture of a Bombay in 1950 still reeling from the aftermath of Partition and suffering the legacy of Empire. Every single element of this complex and compelling story slots together perfectly in the most brilliant and gripping of riddles ... A masterclass in historical crime fiction' CHRIS LLOYD

In the fourth rip-roaring thriller in the award-winning Malabar House series, Persis and Archie travel to the old colonial capital of Calcutta, where they collide head-on with the prejudices and bloody politics of an era engulfed in flame. 'Beautifully written and a fascinating insight into the turbulence of post independence India' PETER MAY 'A sumptuous, brutal, heart-stopping thriller. Vaseem Khan writes with charm and wit, and an eye for detail that transports the reader entirely. I couldn't love this series more' CHRIS WHITAKER Can a white man receive justice in post-colonial India? Bombay, 1950 James Whitby, sentenced to death for the murder of prominent lawyer and former Quit India activist Fareed Mazumdar, is less than two weeks from a date with the gallows. In a last-ditch attempt to save his son, Whitby's father, arch-colonialist, Charles Whitby, forces a new investigation into the killing. The investigation leads Inspector Persis Wadia of the Bombay Police to the old colonial capital of Calcutta, where, with the help of Scotland Yard criminalist Archie Blackfinch, she uncovers a possible link to a second case, the brutal murder of an African-American G.I. during the Calcutta Killings of 1946. How are the cases connected? If Whitby didn't murder Mazumdar, then who did? And why? 'Post-partition India is subtle, intriguing and dynamic; the hero, Persis, is brave, intelligent and charming; the plot is complex and rewarding. I loved Death of a Lesser God' GREG MOSSE 'Blends a grippingly modern plot with gritty and unvarnished history. A vibrant thriller about belonging - and who gets to decide who belongs. A superb book and his best yet' WILLIAM SHAW Breathless and brilliant, Death of a Lesser God propels Persis Wadia into dangerous and deadly new territory. Highly recommended!' D.V. BISHOP 'Crime fiction is a brilliant way of tackling social issues and, in Death of a Lesser God, Vaseem Khan delivers a masterclass in how it's done. Full of tension and political conflict, Khan brilliantly weaves in history and a deft portrait of post-Raj life in Bombay and Calcutta. The result is an immensely rich book' ALIS HAWKINS 'Tense, gripping and impressively plotted; Death of a Lesser God is historical fiction at its finest' WILLIAM RYAN

THE THRILLING NEW MYSTERY FROM THE AWARD-WINNING AUTHOR OF MIDNIGHT AT MALABAR HOUSE 'A delightful book, well-researched, complex and hugely entertaining' ANN CLEEVES 'A twisting plot and an intriguing cast of characters, together with vivid glimpses of the vibrant, complex world of post-Independence Bombay - and a narrative that thunders along with the pace and drama of an elephant on the rampage' ANDREW TAYLOR Bombay, 1950 When the body of a white man is found frozen in the Himalayan foothills near Dehra Dun, he is christened the Ice Man by the national media. Who is he? How long has he been there? Why was he killed? As Inspector Persis Wadia and Metropolitan Police criminalist Archie Blackfinch investigate the case in Bombay, they uncover a trail left behind by the enigmatic Ice Man - a trail leading directly into the dark heart of conspiracy. Meanwhile, two new murders grip the city. Is there a serial killer on the loose, targeting Europeans? Rich in atmosphere, the thrilling third chapter in the CWA Historical Dagger-winning Malabar House series pits Persis against a mystery from beyond the grave, unfolding against the backdrop of a turbulent post-colonial India, a nation struggling to redefine itself in the shadow of the Raj. 'A stunning, richly imagined and downright thrilling mystery. Vaseem Khan has that rare ability to transport you wholly to a bygone time, and he does so with such skill and charm. I loved it' CHRIS WHITAKER 'A compelling historical thriller ... Codes, crime and conspiracies collide in post-colonial India' D.V. BISHOP 'One of my top reads this year. A peerless portrait of early independent India through the eyes of new crime fiction star, India's first police detective, Persis Wadia' BARBARA NADEL "The brilliant Persis Wadia is one of the most electrifying figures in crime fiction today. Vaseem Khan keeps getting better and better' WILLIAM SHAW 'Outstanding' IMRAN MAHMOOD 'This is historical crime fiction at its best - a compelling mix of social insight and complex plotting with a thoroughly engaging heroine. A highly promising new series' MAIL ON SUNDAY 'This is historical crime fiction at its sharpest' SUNDAY TIMES 'The Lost Man of Bombay is the latest outstanding entry in the Malabar House series. Persis Wadia is shaping up to be a giant of the scene - a detective as dogged and determined as any out there, with a point to prove and a chip on her shoulder as deep as it is justified. Her latest case is as beautifully written and evocative as you've come to expect from Vaseem Khan, a gripping and engrossing mystery that draws deeply on its setting and time period but nonetheless reads as fresh and original. This is a writer at the top of his game and a series that just keeps getting better' ROD REYNOLDS

*** WINNER OF THE CWA SAPERE BOOKS HISTORICAL DAGGER 2021 *** 'The leading character is the deftly drawn Persis Wadia, the country's first female detective. She's a wonderful creation and this is a hugely enjoyable book' ANN CLEEVES 'This is historical crime fiction at its best - a compelling mix of social insight and complex plotting with a thoroughly engaging heroine. A highly promising new series'Mail on Sunday Bombay, New Year's Eve, 1949 As India celebrates the arrival of a momentous new decade, Inspector Persis Wadia stands vigil in the basement of Malabar House, home to the city's most unwanted unit of police officers. Six months after joining the force she remains India's first female police detective, mistrusted, sidelined and now consigned to the midnight shift. And so, when the phone rings to report the murder of prominent English diplomat Sir James Herriot, the country's most sensational case falls into her lap. As 1950 dawns and India prepares to become the world's largest republic, Persis, accompanied by Scotland Yard criminalist Archie Blackfinch, finds herself investigating a case that is becoming more political by the second. Navigating a country and society in turmoil, Persis, smart, stubborn and untested in the crucible of male hostility that surrounds her, must find a way to solve the murder - whatever the cost.