When we remember the Second World War in the air, we think of fighter pilots and bomber crews. But what was it like for the men and women working as ground crew and in the aircraft factories who also played a crucial role in defeating Hitler? What was it like making history? What sense did these individuals have of what they were doing, either at the time or later? Did they feel they were caught up in the tide of great events? Or were they simply doing their demanding and often dangerous duty?

A brilliant, beautiful account of how British boffins triumphed across the decades in creating everything from computer games to Martian landers. The book contains chapters on the Beagle II, Elite - the 80s computer game, the Blue Streak missile, Concorde, mobile phone technology and the Human Genome Project, among others. Britain is the only country in the world to have cancelled its space programme just as it put its first rocket into orbit. Starting with this forgotten episode, 'Backroom Boys' tells the bittersweet story of how one country lost its industrial tradition and got back something else. Sad, inspiring, funny and ultimately triumphant, it follows the technologists whose work kept Concorde flying, created the computer game, conquered the mobile-phone business, saved the human genome for the human race - and who now are sending the Beagle 2 probe to burrow in the cinnamon sands of Mars. 'Backroom Boys' is a vivid love-letter to quiet men in pullovers, to those whose imaginings take shape not in words but in mild steel and carbon fibre and lines of code. Above all, it is a celebration of big dreams achieved with slender means.

The Backroom Boys is the remarkable, but little known, story of how a varied group of talented intellectuals, drafted into the Australian Army in the dark days of 1942, provided high-level policy advice to Australia’s most senior soldier, General Blamey, and through him to the Government for the remainder of the war and beyond. This band of academics, lawyers and New Guinea patrol officers formed a unique military unit, the Directorate of Research and Civil Affairs, under the command of an eccentric and masterful string-puller, Alf Conlon. The Directorate has been depicted as a haven for underemployed poets or meddlesome soldier-politicians. Based on wide-ranging research, this book reveals a fuller and more fascinating picture. The fierce conflicts in the wartime bureaucracy between public servants and soldiers, in which the Directorate provided critical support to Blamey, went to the heart of military command, accountability and the profession of arms. The Directorate was a pioneer in developing approaches to military government in areas liberated by the combat troops, as demonstrated by the Australian Army in New Guinea, and Borneo in 1945-46. It is an issue of enduring importance. The Directorate established the Australian School of Pacific Administration, and had an important role in founding the Australian National University. Its influence extended into post war Australia. The Backroom Boys emphasises the personality of Colonel Alf Conlon, as well as the talented men and women he recruited. Above all, this book shows how, unexpectedly, the Australian Army fostered a group of men and women who made a lasting contribution to the development of Australia in the decades after the war.

A “soul-stirring debut,” Boys of Alabama tells the “bewitching” (Michelle Hart, O, The Oprah Magazine) tale of sixteen-year-old Max’s first year in America. “Daring, unusual . . . and startlingly fresh” (Don Noble, Alabama Public Radio), Boys of Alabama announced Genevieve Hudson’s place in the canon of the southern gothic alongside Donna Tartt and Harper Lee. Newly arrived in Alabama, Max falls in love, questions his faith, and navigates a strange power. Although his German parents don’t know what to make of a South pining for the past, shy Max thrives after being taken in by the football team. But when he meets fishnet-wearing Pan in physics class, they embark on a quixotic, consuming relationship. Writing in “prose that is always imaginative and sensual” (Sarah Neilson, Believer), Hudson offers a complex portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

In this “exhilarating yet poignant account of one boy taking flight” (Shelf Awareness, starred review), one of rock music's most entrancing figures transforms the vividness of his musical world into an unforgettable literary account of overcoming the odds and finding his true voice. Long before hitting the stage as the lead singer of the iconic glam rock band Scissor Sisters, Jake Shears was Jason Sellards, a teenage boy living a fraught life, resulting in a difficult time in high school as his classmates bullied him and few teachers showed sympathy. It wasn’t until years later, while living and studying in New York City, that Jason would find his voice as an artist and, with a group of friends and musicians who were also thirsting for stardom and freedom, form the band Scissor Sisters. First performing in the smoky gay nightclubs of New York, then finding massive success in the United Kingdom, Scissor Sisters would become revered by the LGBTQ community, sell out venues worldwide, and win multiple accolades with hits like “Take Your Mama” and “I Don’t Feel Like Dancin’,” as well as their cult-favorite cover of Pink Floyd’s “Comfortably Numb.” “Brutally honest” (Elton John), candid, and courageous, Shears’s writing sings with the same powerful, spirited presence that he brings to his live performances. Boys Keep Swinging is “a wild, sexy, emotional ride through underground New York at the millennium. From the fringes to the top, it's a tale that speaks to the outsider in all of us” (Andy Cohen).

A thought-provoking analysis of the Australian Army's capacity to change, with a particular focus on the Asia-Pacific region.