A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.

From debut author Cameron Kelly Rosenblum comes a stunning teen novel that tackles love, grief, and mental health as one girl must process her friend’s death and ultimately learn how to stand in her own light. Perfect for fans of All the Bright Places and We Were Liars. It’s the summer before senior year. Reid is in the thick of Scofield High’s in-crowd thanks to her best friend, Hattie, who has been her social oxygen since middle school. But summer is when Hattie goes to her family’s Maine island home. Instead of sitting inside for eight weeks, waiting for her to return, Reid and their friend, Sam, enter into a pact—to live it up, one party at a time. But days before Hattie is due home, Reid finds out the shocking news that Hattie has died by suicide. Driven by a desperate need to understand what went wrong, Reid searches for answers. In doing so, she uncovers painful secrets about the person she thought she knew better than herself. And the truth will force Reid to reexamine everything.

A half-demon teenager learns the dangerous secret of her true powers in this “unusually profound urban-fantasy . . . thoughtful, scary and captivating” (Kirkus, starred review). Jael has always felt like a freak. She’s never kissed a boy, she never knew her mom, and her dad’s always been superstrict—but that’s probably because her mom was a demon, which makes Jael half demon and most definitely not a normal sophomore girl. But on her sixteenth birthday, a mysterious present unlocks her family’s dangerous history—and Jael’s untapped potential. What was merely an embarrassing secret suddenly becomes a terrifying reality. Jael must learn to master her demon side in order to take on a vindictive Duke of Hell, while also dealing with a twisted priest, best-friend drama, and a spacey blond skater boy who may have hidden depths.

A LibraryReads Pick! One of... Popsugar's Best New Romances Bustle and Bookish's Most Anticipated Books of December Library Journal's Best Romances of 2021 He’s cosplaying as her boyfriend but their feelings for each other are real in this romantic comedy from Seressia Glass. Sometimes Kenya Davenport believes she was switched at the hospital—how else could a lover of anime, gaming, and cosplay come from STEM parents? Still, Kenya dreams of being able to turn her creative hobby into a career. She finally has a chance to make it big when she joins the reality show competition Cosplay or No Way. There's just one catch: the challenge for the final round is all about iconic pairs, and the judges want the contestants' significant others to participate. Unfortunately, Kenya is as single as can be at the moment. Luckily her best friend, Cameron Lassiter, agrees to be her fake boyfriend for the show. Roleplaying a couple in love will force them to explore what they're hiding under the mask of friendship. Can Kenya and Cam fake it until she makes it, or will she be real about her feelings, knowing it could cost her the best friend she’s ever had?

First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan's pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan's own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of Pictures From Home clarifies the multiplicity of voices - both textual and pictorial - in order to afford a fresh perspective of this seminal body of work -- Provided by the publisher.

An inside look at the politics of book reviewing, from the assignment and writing of reviews to why critics think we should listen to what they have to say Taking readers behind the scenes in the world of fiction reviewing, Inside the Critics’ Circle explores the ways critics evaluate books despite the inherent subjectivity involved and the uncertainties of reviewing when seemingly anyone can be a reviewer. Drawing on interviews with critics from such venues as the New York Times, Los Angeles Times, and Washington Post, Phillipa Chong delves into the complexities of the review-writing process, including the considerations, values, and cultural and personal anxieties that shape what critics do. Chong explores how critics are paired with review assignments, why they accept these time-consuming projects, how they view their own qualifications for reviewing certain books, and the criteria they employ when making literary judgments. She discovers that while their readers are of concern to reviewers, they are especially worried about authors on the receiving end of reviews. As these are most likely peers who will be returning similar favors in the future, critics’ fears and frustrations factor into their willingness or reluctance to write negative reviews. At a time when traditional review opportunities are dwindling while other forms of reviewing thrive, book reviewing as a professional practice is being brought into question. Inside the Critics’ Circle offers readers a revealing look into critics’ responses to these massive transitions and how, through their efforts, literary values get made.