"In Back to Angola Paul Morris recounts his return to Angola in 2012 after going there in 1987 as a soldier. Morris, who was reluctantly conscripted just before he turned 19, goes back to the country to try and put his memories of war to rest and replace them with images of a peaceful Angola. The narrative switches between his solo cycle trip and his memories of the war." --Internet.

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation. The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

Everyone has gone away... We too should no longer be here. Luanda, 1975. The Angolan War of Independence has been raging for at least a decade, but with the collapse of the Salazar dictatorship, defeat for the Portuguese is now in sight. Thousands of settlers are fleeing back to Portugal to escape the brutality of the Angolan rebels. Rui is fifteen years old. He has lived in Luanda all his life and has never even visited the far-away homeland - although he has heard many stories. But now his family are finally accepting that they too must return, and Rui is filled with a mixture of excitement and dread at the prospect. But just as they are leaving for the airport, his father is taken away by the rebels, and the family must leave without him. Not knowing if the father is alive or dead - or if they will ever find out what has become of him, Rui, his mother and sister try to rebuild their lives in their new home. This turns out to be a five star hotel in a quiet, seaside suburb of Lisbon, where returnee families are crammed into luxurious rooms by the dozen. These palatial surroundings are a cruel contrast with the reality of returnee life. The hotel becomes a curious form of purgatory as the families wait to discover what will become of them - ever conscious of the fact that they are hardly welcome back in their homeland. Rui has his own personal struggle with his new life: growing up, dropping out of school, facing discrimination, and the ever-present worry over his mother's deteriorating health and his father's fate. And then one night Rui's father returns from the dead. Translated from the Portuguese by Ángel Gurría-Quintana

The dark years of European fascism left their indelible mark on Africa. As late as the 1970s, Angola was still ruled by white autocrats, whose dictatorship was eventually overthrown by black nationalists who had never experienced either the rule of law or participatory democracy. Empire in Africa takes the long view of history and asks whether the colonizing ventures of the Portuguese can bear comparison with those of the Mediterranean Ottomans or those experienced by Angola’s neighbors in the Belgian Congo, French Equatorial Africa, or the Dutch colonies at the Cape of Good Hope and in the Transvaal. David Birmingham takes the reader through Angola’s troubled past, which included endemic warfare for the first twenty-five years of independence, and examines the fact that in the absence of a viable neocolonial referee such as Britain or France, the warring parties turned to Cold War superpowers for a supply of guns. For a decade Angola replaced Vietnam as a field in which an international war by proxy was conducted. Empire in Africa explains how this African nation went from colony to independence, how in the 1990s the Cold War legacy turned to civil war, and how peace finally dawned in 2002.

The world's most acclaimed travel writer journeys through western Africa from Cape Town to the Congo.

Following the publication of Al Venter’s successful Portugal’s Guerrilla Wars in Africa - shortlisted by the New York Military Affairs Symposium’s 'Arthur Goodzeit Book Award for 2013' - his Battle for Angola delves still further into the troubled history of this former Portuguese African colony. This is a completely fresh work running to almost 600 pages including 32 pages of color photos, with the main thrust on events before and after the civil war that followed Lisbon’s over-hasty departure back to the metrópole. There are also several sections that detail the role of South African mercenaries in defeating the rebel leader Dr Jonas Savimbi (considered by some as the most accomplished guerrilla leader to emerge in Africa in the past century). There are many chapters that deal with Pretoria’s reaction to the deteriorating political and military situation in Angola, the role of the Soviets and mercenaries in the political transition, as well as the civil war that followed. With the assistance of several notable military authorities he elaborates in considerable detail on South Africa’s 23-year Border War, from the first guerrilla incursions to the last. In this regard he received solid help from the former the head of 4 Reconnaissance Regiment, Colonel Douw Steyn, who details several cross-border Recce strikes, including the sinking by frogmen of two Soviet ships and a Cuban freighter in an Angolan deepwater port. Throughout, the author was helped by a variety of notable authorities, including the French historian Dr René Pélissier and the American academic and former naval aviator Dr John (Jack) Cann. With their assistance, he covers several ancillary uprisings and invasions, including the Herero revolt of the early 20th century; the equally troubled Ovambo insurrection, as well as the invasion of Angola by the Imperial German Army in the First World War. Former deputy head of the South African Army Major General Roland de Vries played a seminal role. It was he - dubbed ‘South Africa’s Rommel’ by his fellow commanders - who successfully nurtured the concept of ‘mobile warfare’ where, in a succession of armored onslaughts ‘thin-skinned’ Ratel Infantry Fighting Vehicles tackled Soviet main battle tanks and thrashed them. There is a major section on South African Airborne – the ‘Parabats’ –by Brigadier-General McGill Alexander, one of the architects of that kind of warfare under Third World conditions. Finally, the role of Cuban Revolutionary Army receives the attention it deserves: officially there were almost 50,000 Cuban troops deployed in the Angolan war, though subsequent disclosures in Havana suggest that the final total was much higher.