Few topics in the news are more hotly contested than the Israeli-Palestinian conflict—and news coverage itself is always a subject of debate. But rarely do these debates incorporate an on-the-ground perspective of what and who newsmaking entails. Studying how journalists work in Jerusalem, Bethlehem, Ramallah, and Nablus, and on the tense roads that connect these cities, Amahl Bishara demonstrates how the production of U.S. news about Palestinians depends on multifaceted collaborations, typically invisible to Western readers. She focuses on the work that Palestinian journalists do behind the scenes and below the bylines—as fixers, photojournalists, camerapeople, reporters, and producers—to provide the news that Americans read, see, and hear every day. Ultimately, this book demonstrates how Palestinians play integral roles in producing U.S. news and how U.S. journalism in turn shapes Palestinian politics. U.S. objectivity is in Palestinian journalists' hands, and Palestinian self-determination cannot be fully understood without attention to the journalist standing off to the side, quietly taking notes. Back Stories examines news stories big and small—Yassir Arafat's funeral, female suicide bombers, protests against the separation barrier, an all-but-unnoticed killing of a mentally disabled man—to investigate urgent questions about objectivity, violence, the state, and the production of knowledge in today's news. This book reaches beyond the headlines into the lives of Palestinians during the second intifada to give readers a new vantage point on both Palestinians and journalism.

“Beautifully crafted . . . the sentences in these stories are living and seamless, as if Lazarin had run her hand over them until they became smooth and gleaming with the evidence of her touch.” —Carmen Maria Machado, The New York Times Book Review From an award-winning writer, a stunning collection of stories about women’s unexpressed desires and needs, and the unexpected ways they resurface In “Floor Plans,” a woman at the end of her marriage tests her power when she inadvertently befriends the neighbor trying to buy her apartment. In “Appetite,” a sixteen-year old grieving her mother’s death experiences first love and questions how much more heartbreak she and her family can endure. In “Dinosaurs,” a recent widower and a young babysitter help each other navigate how much they have to give—and how much they can take—from the people around them. Through stories that are at once empathetic and unexpected, these women and girls defiantly push the boundaries between selfishness and self-possession. With a fresh voice and bold honesty, Back Talk examines how narrowly our culture allows women to express their desires. “Deceptively quiet but packs a powerful punch . . . The best collection I’ve read in years, from a phenomenal new talent.” —Celeste Ng

Like its companion book, this second volume of Arkansas Backstories will amaze even the most serious students of the state with surprising insights. How many people are aware that a world-class yodeler from Zinc ran against John F. Kennedy in 1960 for the top spot on the national Democratic ticket, or that an African-American born in Little Rock campaigned for the Presidency nearly 70 years before Congressman Shirley Chisholm made her historic run? Or that bands of blood-thirsty pirates once lurked in the bayous and backwaters of eastern Arkansas, preying on unsuspecting Mississippi River travelers? Likewise, how many readers will recognize the fact that an English botanist who spent months investigating Arkansas's flora in the early nineteenth century has been described as the worst explorer in history? That Fort Smith hosted the world's first international UFO conference? Or that the Nielsen rating system has a direct connection to the state as does Tony Bennett's signature song, "I Left My Heart in San Francisco"? Such tidbits are among the unexpected elements that make the Natural State so tantalizing. Written in an informal, conversational style and nicely illustrated, Arkansas Backstories Volume Two will be a wonderful addition to the libraries of Arkansans, expats, and anyone else interested in one of America's most fascinating states.

Native Conch Scott Atwell celebrates the 50th anniversary of Jimmy Buffett's 1971 arrival in Key West by revealing the backstories to many of the singer's classic songs

Fred and Rose West, between them were charged with the serial murder of twelve young women and girls, spanning a period of over twenty years. While they were known to the police, incredibly the monsters that lurked within remained undetected.

S is for Silence is the nineteenth in the Kinsey Millhone mystery series by Sue Grafton. Just after Independence Day in July 1953 Violet Sullivan, a local good time girl living in Serena Station Southern California, drives off in her brand new Chevy and is never seen again. Left behind is her young daughter, Daisy, and Violet's impetuous husband, Foley, who had been persuaded to buy his errant wife the car only days before . . . Now, thirty-five years later, Daisy wants closure. Reluctant to open such an old cold case Kinsey Millhone agrees to spend five days investigating, believing at first that Violet simply moved on to pastures new. But very soon it becomes clear that a lot of people shared a past with Violet, a past that some are still desperate to keep hidden. And in a town as close-knit as Serena there aren't many places to hide when things turn vicious . . .

Brings a new perspective to selected Old Testament stories by exploring them from a unique starting point or from a different person's viewpoint. Chapter titles: The Second Sin; The Importance of Naming Joseph; Because My Mother Told Me; Moses' Midlife Crisis; Patron Saint of the Minority Report; Tragic Son, Tragic Father; Honey in the Lion; Beauty and the Beast; A Refugee at the King's Table; In Defense of Job's Wife; Jonah's Christmas Story; God Is Better Than His Plans. 12 Sessions with a leader's guide.