The Mass in B Minor is arguably Bach's greatest single work. John Butt gives an absorbing account of the work's genesis, its historical context, and its reception by later generations.

The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known.

The most comprehensive book ever published on drawing hands uses a revolutionary system for visualizing the hand in an almost infinite number of positions.

Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.

The Mass in B Minor is arguably Bach's greatest single work. This short guide considers the work from many angles, offering the reader basic information in a concise and accessible form. John Butt gives an absorbing account of the work's genesis, its historical context, and its reception by later generations. One chapter considers the work movement by movement, providing the text in both Latin and English, and the final group of chapters on the music itself suggests some new approaches to the work--its forms, style and overall structure. This is an informative and lucid guide, providing an up-to-date summary of existing research and opinions together with some new and challenging insights.