An ode to babyhood, inspired by the blues artistry of B.B. King, illuminates the woes of being unable to walk, talk or chew in a world of soggy diapers, mushy meals and sleeping behind bars. By the author of Saturday Night at the Dinosaur Stomp.

There's just something about babies! They make us smile when we're down, force us to slow our frantic pace, and remind us of what is really important in life. Plus, they're just so darn cute. This magical collection of nearly 90 sweet and utterly adorable black and white photographs captures babies at their innocent best-playing, sleeping, bathing, and simply getting into mischief the way only little ones can. Set indoors and out, with everyday items and unusual props, the photographs are each accompanied by a caption which encapsulates the humor, grace and simple wonder of a baby's world. Charming, witty and undeniably captivating, this is the perfect gift for new parents or anyone who loves babies.

A young boy ponders a variety of emotions and how different members of his family experience them, from his own blues to his father's grays and his grandmother's yellows.

"Baby Blues is one of the truest and funniest accounts of raising a baby ever to grace the comics page." --Lynn Johnston, creator ofFor Better of For Worse When little Zoe MacPherson was born, she was the darling of the comics page. The daily antics of her parents, Wanda and Darryl, struggling to learn the nuances of being a mom and dad struck millions as all-too-real and all-too-hilarious! As Zoe has grown into a toddler--and welcomed baby brother Hamish into the family--the MacPherson clan has become an even bigger part of our daily lives. Even people who aren't parents cherishBaby Bluesfor its amusing artwork and spirited stories. The MacPhersons have entertained us with their calm approach to chaos for years. These two educated people attempt to apply logic and the wisdom of parenting manuals to the raising of their family, and then discover exhaustion bends all the rules. The strip captures real-life emotions, from the battle to get Zoe strapped into a car seat to trying to convince her that she's too old for her crib. Artist Rick Kirkman and writer Jerry Scott have recreated the family-strip genre with their warm and witty takes on child-rearing. InThe Super-Absorbent, Biodegradable, Family-Size Baby Blues, the duo relives the stories behind their favorite strips, allowing their many fans a glimpse into their own frazzled worlds. In addition, they've selected from among material since the strip began. ThisBaby Bluestreasury is a must-have forBaby Bluesfans everywhere, many of whom love the MacPhersons as if they were favorite members of their own dear families.

A searing chronicle of the life of a young ex-convict and heroin addict in 1960’s Harlem, an unsparing portrait of a man who couldn’t free himself from the horrors of addiction Blueschild Baby takes place during the summer of 1967—the summer of race riots all across the nation; the Summer of Love in the Haight Ashbury; the summer of Marines dying near Con Thien, across the world in Vietnam—but the novel illuminates the contours of a more private hell: the angry desperation of a heroin addict who returns to his home in Harlem after being in prison. First published in 1970, this frankly autobiographical novel was a revelation, a stunning depiction of a marginal figure, marked literally and figuratively by his drug addiction and navigating a predatory underground of junkies and hustlers—and named George Cain, like his author. Now with a new preface by acclaimed writer Leslie Jamison, this is an unvarnished conjuring of the tyranny of dependence: its desperation, its degradation, its rage and rebellion; the fragile, unsettled, occasional shards of hope it permits; the strange joys of being alive and young and lost and hooked and full of feverish determination anyway.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.