The encyclopaedia highlights the South Asian country of India with its varied ramifications. As a rich country with all its diversity, it has played a significant role in world affairs for more than two thousand years. India is the most populous country in the world, and its economy is growing rapidly. It is marching ahead in science and technology. In the hundredth anniversary of its independence in 2047, it aspires to become a developed nation. One should be aware of this country in this globalized world. It is not only fascinating but also knowledge-enhancing. The encyclopaedia holds importance due to several reasons: information on a vast range of subjects, scientific methodology, accuracy, and reliability. It could be used as a starting point for further research. The book will be useful for general readers, serious researchers, graduate students, and academics.

The Ghazi Sultans were frontier holy-warrior kings of late medieval and early modern Islamic history. This book is a comparative study of three particular Ghazis in the Muslim world at that time, demonstrating the extent to which these men were influenced by the actions and writings of their predecessors in shaping strategy and the way in which they saw themselves. Using a broad range of Persian, Arabic and Turkish texts, the author offers new findings in the history of memory and self-fashioning, demonstrating thereby the value of intertextual approaches to historical and literary studies. The three main themes explored include the formation of the ideal of the Ghazi king in the eleventh century, the imitation thereof in fifteenth and early sixteenth century Anatolia and India, and the process of transmission of the relevant texts. By focusing on the philosophical questions of ‘becoming’ and ‘modelling’, Anooshahr has sought alternatives to historiographic approaches that only find facts, ideology, and legitimization in these texts. This book will be of interest to scholars specialising in Medieval and early modern Islamic history, Islamic literature, and the history of religion.

Islamic civilization was once the envy of the world. From a succession of glittering, cosmopolitan capitals, Islamic empires lorded it over the Middle East, North Africa, Central Asia and swathes of the Indian subcontinent, while Europe cowered feebly at the margins. For centuries the caliphate was both ascendant on the battlefield and triumphant in the battle of ideas, its cities unrivaled powerhouses of artistic grandeur, commercial power, spiritual sanctity, and forward-looking thinking, in which nothing was off limits.Islamic Empires is a history of this rich and diverse civilization told through its greatest cities over the fifteen centuries of Islam, from its earliest beginnings in Mecca in the seventh century to the astonishing rise of Doha in the twenty-first.Marozzi brilliantly connects the defining moments in Islamic history: from the Prophet Mohammed receiving his divine revelations in Mecca and the First Crusade of 1099 to the conquest of Constantinople in 1453 and the phenomenal creation of the merchant republic of Beirut in the nineteenth century, and how this world is continuing to change today.

This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.