BABRIUS is the reputed author of a collection (discovered in the 19th century) of more than 125 fables based on 'Aesop's', in Greek verse. He may have been a 'Hellenised' Roman living in Asia Minor during the late 1st century after Christ. The fables are all in one metre and in very good style, terse, humorous and pointed. Some are original. PHAEDRUS, born in Macedonia, flourished in the early half of the 1st century after Christ. Apparently a slave set free by the Emperor Augustus (died A.D. 14) he lived in Italy and began to write 'Aesopian' fables. When he offended Sejanus the powerful official of the Emperor Tiberius, he was punished, but not silenced. The fables, in 5 books, are in lively terse and simple Latin verse not lacking in dignity. They not only amuse and teach but also satirise social and political life in Rome. In the later Middle Ages he was forgotten except in prose-versions of the fables.

Aesop was probably a prisoner of war, sold into slavery in the early sixth century BC, who represented his masters in court and negotiations, and relied on animal stories to put across his key points. All these fables, full of humour, insight and savage wit, as well as many fascinating glimpses of ordinary life, have now been brought together for the first time in this definitive and fully annotated modern edition.

A collection of animal fables told by the Greek slave Aesop.

BABRIUS is the reputed author of a collection (discovered in the 19th century) of more than 125 fables based on 'Aesop's', in Greek verse. He may have been a 'Hellenised' Roman living in Asia Minor during the late 1st century after Christ. The fables are all in one metre and in very good style, terse, humorous and pointed. Some are original. PHAEDRUS, born in Macedonia, flourished in the early half of the 1st century after Christ. Apparently a slave set free by the Emperor Augustus (died A.D. 14) he lived in Italy and began to write 'Aesopian' fables. When he offended Sejanus the powerful official of the Emperor Tiberius, he was punished, but not silenced. The fables, in 5 books, are in lively terse and simple Latin verse not lacking in dignity. They not only amuse and teach but also satirise social and political life in Rome. In the later Middle Ages he was forgotten except in prose-versions of the fables.

With a foreword by Oliver Sacks Shortly after John Hull went blind, after years of struggling with failing vision, he had a dream in which he was trapped on a sinking ship, submerging into another, unimaginable world. The power of this calmly eloquent, intensely perceptive memoir lies in its thorough navigation of the world of blindness—a world in which stairs are safe and snow is frightening, where food and sex lose much of their allure and playing with one's child may be agonizingly difficult. As he describes the ways in which blindness shapes his experience of his wife and children, of strangers helpful and hostile, and, above all, of his God, Hull becomes a witness in the highest, true sense. Touching the Rock is a book that will instruct, move, and profoundly transform anyone who reads it.