Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Karen Blixen, author of the acclaimed memoir Out of Africa, was also a master of the short story form: her tales offer luminous meditations on rebirth and redemption, on the mystery and unexpectedness of human behaviour. Alongside 'Babette's Feast', this selection also includes 'Sorrow-Acre', often thought to be one of her finest stories. 'Tales as delicate as Venetian glass', The New York Times

These five rich, witty and magical stories from the author of Out of Africa include one of her most well known tales, ‘Babette’s Feast’, which was made into the classic film. It tells the story of a French cook working in a puritanical Norwegian community, who treats her employers to the decadent feast of a lifetime. There is also a real-life Prospero and his Ariel in ‘Tempests’, a mysterious pearl-fisher in ‘The Diver’ and a brief, tragic encounter in ‘The Ring’. All the stories have a mystic, fairy-tale quality, linked by themes of angels, the sea, dreams and fate. They were among the last to be written by Isak Dinesen, and show her as a master of short fiction.

A set of 50 fascinating, disturbing, moving or funny short books published in an appealing new format to celebrate the 50th anniversary of Penguin Modern Classics

On the face of it, Gabriel Axel's Babette's Feast (1989) is a film in which the eyes – and mouths – of religious zealots are opened to the glories of the sensual world. It is a critique of what Nietzsche called life-denying religion in favour of life-affirming sensuality. But to view the film in that way is to get it profoundly wrong. In his study of the film, Julian Baggini argues that Babette's Feast is not about the battle between religiosity and secularity but a deep examination of how the two can come together. Baggini's analysis focuses on themes of love, pleasure, artisty and grace, to provide a rich philosophical reading of this most sensual of films.

French cuisine is such a staple in our understanding of fine food that we forget the accidents of history that led to its creation. Accounting for Taste brings these "accidents" to the surface, illuminating the magic of French cuisine and the mystery behind its historical development. Priscilla Parkhurst Ferguson explains how the food of France became French cuisine. This momentous culinary journey begins with Ancien Régime cookbooks and ends with twenty-first-century cooking programs. It takes us from Carême, the "inventor" of modern French cuisine in the early nineteenth century, to top chefs today, such as Daniel Boulud and Jacques Pépin. Not a history of French cuisine, Accounting for Taste focuses on the people, places, and institutions that have made this cuisine what it is today: a privileged vehicle for national identity, a model of cultural ascendancy, and a pivotal site where practice and performance intersect. With sources as various as the novels of Balzac and Proust, interviews with contemporary chefs such as David Bouley and Charlie Trotter, and the film Babette's Feast, Ferguson maps the cultural field that structures culinary affairs in France and then exports its crucial ingredients. What's more, well beyond food, the intricate connections between cuisine and country, between local practice and national identity, illuminate the concept of culture itself. To Brillat-Savarin's famous dictum—"Animals fill themselves, people eat, intelligent people alone know how to eat"—Priscilla Ferguson adds, and Accounting for Taste shows, how the truly intelligent also know why they eat the way they do. “Parkhurst Ferguson has her nose in the right place, and an infectious lust for her subject that makes this trawl through the history and cultural significance of French food—from French Revolution to Babette’s Feast via Balzac’s suppers and Proust’s madeleines—a satisfying meal of varied courses.”—Ian Kelly, Times (UK)

Explores the radical political potential of close reading to make the case for a new and invigorated psychoanalytic cultural studies.

In the classic “Babette’s Feast,” a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In “The Immortal Story,” a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors’ tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist. Hauntingly evoked and sensuously realized, the five stories read and novella collected here and have the hold of “fairy stories read in childhood . . . of dreams . . . and of our life as dreams.” (The New York Times)