Constraints allow developers to specify desired properties of systems in a number of domains, and have those properties be maintained automatically. This results in compact, declarative code, avoiding scattered code to check and imperatively re-satisfy invariants. Despite these advantages, constraint programming is not yet widespread, with standard imperative programming still the norm. There is a long history of research on integrating constraint programming with the imperative paradigm. However, this integration typically does not unify the constructs for encapsulation and abstraction from both paradigms. This impedes re-use of modules, as client code written in one paradigm can only use modules written to support that paradigm. Modules require redundant definitions if they are to be used in both paradigms. We present a language – Babelsberg – that unifies the constructs for en- capsulation and abstraction by using only object-oriented method definitions for both declarative and imperative code. Our prototype – Babelsberg/R – is an extension to Ruby, and continues to support Ruby’s object-oriented se- mantics. It allows programmers to add constraints to existing Ruby programs in incremental steps by placing them on the results of normal object-oriented message sends. It is implemented by modifying a state-of-the-art Ruby virtual machine. The performance of standard object-oriented code without con- straints is only modestly impacted, with typically less than 10% overhead compared with the unmodified virtual machine. Furthermore, our architec- ture for adding multiple constraint solvers allows Babelsberg to deal with constraints in a variety of domains. We argue that our approach provides a useful step toward making con- straint solving a generic tool for object-oriented programmers. We also provide example applications, written in our Ruby-based implementation, which use constraints in a variety of application domains, including interactive graphics, circuit simulations, data streaming with both hard and soft constraints on performance, and configuration file Management.

New programming language designs are often evaluated on concrete implementations. However, in order to draw conclusions about the language design from the evaluation of concrete programming languages, these implementations need to be verified against the formalism of the design. To that end, we also have to ensure that the design actually meets its stated goals. A useful tool for the latter has been to create an executable semantics from a formalism that can execute a test suite of examples. However, this mechanism so far did not allow to verify an implementation against the design. Babelsberg is a new design for a family of object-constraint languages. Recently, we have developed a formal semantics to clarify some issues in the design of those languages. Supplementing this work, we report here on how this formalism is turned into an executable operational semantics using the RML system. Furthermore, we show how we extended the executable semantics to create a framework that can generate test suites for the concrete Babelsberg implementations that provide traceability from the design to the language. Finally, we discuss how these test suites helped us find and correct mistakes in the Babelsberg implementation for JavaScript.

An illuminating exploration of the cultural politics of the East-West unification and its subsequent impact upon German filmmaking

This book is a representative history of East German film culture from 1946 to the present, examining both DEFA's celebrated classics and the most acclaimed post-unification feature films by East German directors. As Berghahn shows, East German cinema occupies an ambivalent position between German national cinema on the one hand and East European and Soviet cinema on the other. It includes a wide-ranging exploration of post-unification cinema from East Germany, including cult films such as Sun Alley and Goodbye, Lenin! and provides contextualized readings of twenty significant films, referencing one hundred and ninety East German films in total, along with numerous West German and East European classics.

Envisioning Socialism examines television and the power it exercised to define the East Germans’ view of socialism during the first decades of the German Democratic Republic. In the first book in English to examine this topic, Heather L. Gumbert traces how television became a medium prized for its communicative and entertainment value. She explores the difficulties GDR authorities had defining and executing a clear vision of the society they hoped to establish, and she explains how television helped to stabilize GDR society in a way that ultimately worked against the utopian vision the authorities thought they were cultivating. Gumbert challenges those who would dismiss East German television as a tool of repression that couldn’t compete with the West or capture the imagination of East Germans. Instead, she shows how, by the early 1960s, television was a model of the kind of socialist realist art that could appeal to authorities and audiences. Ultimately, this socialist vision was overcome by the challenges that the international market in media products and technologies posed to nation-building in the postwar period. A history of ideas and perceptions examining both real and mediated historical conditions, Envisioning Socialism considers television as a technology, an institution, and a medium of social relations and cultural knowledge. The book will be welcomed in undergraduate and graduate courses in German and media history, the history of postwar Socialism, and the history of science and technologies.