If you’re one of the hundreds of thousands who devoured Babe Walker’s New York Times bestselling novel White Girl Problems or one of the million people who read her blog or follow her on Twitter daily, then you’ve obviously been waiting with bated breath for her hilarious follow-up novel, Psychos. Fresh from a four-month stint in rehab for her “alleged” shopping addiction, Babe Walker returns home to Bel Air ten pounds lighter (thanks to a stomach virus), having made amends (she told a counselor with bad skin she was smart) and confronted her past (after meeting her birth mother for the first time—a fashion model turned farmer lesbian). Although delighted to be home and determined to maintain her hard-won inner peace, Babe now faces a host of outside forces seemingly intent on derailing her path to positive change. Not only is she being trailed by an anonymous stalker, but she’s also reunited with the love of her life, a relationship that she cannot seem to stop self-sabotaging. Babe’s newfound spirituality, coupled with her faith in the universe and its messages, leads her all over the world: shoulder dancing in Paris, tripping out in Amsterdam, and hooking up in the Mediterranean, only to land her back in New York City, forced to choose between a man who is perfect in every way (except for one small detail) and a man who could be The One if only he didn’t drive Babe to utter insanity. Unapologetic and uproarious, Psychos is the send-up of the season—already as timeless as vintage Dior.

Babe Walker, center of the universe, is a painstakingly manicured white girl with an expensive smoothie habit, a proclivity for Louboutins, a mysterious mother she's never met, and approximately 50 bajillion Twitter followers. But her "problems" have landed her in shopping rehab-that's what happens when you spend $246,893.50 in one afternoon at Barneys. Now she's decided to write her memoir, revealing the gut-wrenching hurdles she's had to overcome in order to be perfect in every way, every day. Hurdles such as: I hate my horse. Every job I've ever had is the worst job I've ever had. He's not a doctor, a lawyer, or a prince. I'll eat anything, as long as it's gluten-free, dairy-free, low-carb, low-fat, low-calorie, sugar-free, and organic. In an Adderall-induced flash of inspiration, Babe Walker has managed to create one of the most enjoyable, unforgettable memoirs in years.

"This book contains the work of many bright, talented, and endlessly inspiring women who I believe have the power to change the world." -- Page 8.

Set during the summer of 1941, this illustrated novel is a nostalgic, fictionalized account of the true-life love story of up-and-coming writer S.D. Salinger and beautiful socialite, Oona O'Neill, daughter of the great America playwright.

Why are Americans obsessed with the home run in sports, business, and even life? What made the steroid era inevitable? Revisiting the great home run seasons of Babe Ruth through those of Barry Bonds, All the Babe's Men answers these and other provocative questions. Baseball, and particularly the long ball itself, evolved via accident, necessity, and occasional subterfuge. During the dead-ball era, pitching ruled the game, and home run totals hovered in the single digits. Then a ban on the spitball and the compression of stadium dimensions set the stage for new sluggers to emerge, culminating in Ruth's historic sixty-homer season in 1927. The players, owners, and fans became hooked on the homer, but our addiction took us to excess. As the home run became the ultimate goal for hitters, players went to new lengths to increase their power and ability to swing for the fences. By the time Barry Bonds set a new single-season record in 2001, Americans had to face the fact that their national pastime had become corrupted from within. Through a play-by-play analysis of the game's historic long-ball seasons, its superstars, and the contemporary legal nightmares and tainted records, All the Babe's Men divulges how America evolved into a home run society where baseball is king.

This volume examines the concept and practice of resilience from the perspective of Filipina philosophers. It investigates the double-edged nature of resilience and other key assumptions and ideas about human resilience and resilient cultures and institutions. The chapters in the collection are intersectional in approach, drawing from feminist theory, social and political philosophy, critical theory, pragmatism, virtue theory, social epistemology, and decolonial theory in their engagement of the theme. Part of the Academics, Politics and Society in the Post-Covid World series, the book will be of interest to scholars and students of philosophy, political theory, feminist theory, philosophy of education, cultural studies, and development studies. It will be valuable to academics in Philippine Studies, Asian and Southeast Asian Studies, and Global South Studies.