A full-colour collection of thirty six complete stories, this volume represents the very best work throughout the career of the most innovative comic book artist of his generation. Companion volume to the art retrospective published last year.

Bernard Krigstein began his career as an unremarkable journeyman cartoonist during the 1940s and finished it as a respected fine artist and illustrator ― but comics historians know him for his explosively creative 1950s, during which he applied all the craft, intelligence and ambition of a burgeoning “serious” artist to his comics work, with results that remain stunning to this day. Krigstein’s legend rests mostly on the 30 or so stories he created for the EC Comics, but dozens of stories drawn for other, lesser publishers such as Rae Herman, Hillman, and Atlas (which would become Marvel) showcase his skills and radical reinterpretation of the comics page, in particular his groundbreaking slicing and dicing of time lapses through a series of narrow, nearly animated panels. Greg Sadowski, who has previously written and designed a Harvey Award-winning biography of Krigstein, has assembled the very best of Krigstein’s comics work, starting with his earliest creative rumblings, through his glory days at EC, to his final, even more brilliantly radical stories for Atlas Comics ― running through every genre popular at the time, be it horror, science fiction, war, western, or romance (but no super-heroes).

This comics anthology includes Krigstein’s most famous story ― which broke both aesthetic and narrative boundaries ―plus material that’s never been reprinted since the 1950s. In addition to "Master Race,” this volume includes “The Flying Machine” (based on a story by Ray Bradbury). Other stories include: “Slave Ship,” an unpublished science fiction tale that was only discovered in the decades following EC’s demise, “The Monster From The Fourth Dimension,” a horror/science fiction shocker that has never been reprinted since its original appearance in 1954, and other Krigstein crime, horror, war, and science fiction stories covering the full gamut of EC titles, including Tales From the Crypt, Crime SuspenStories, Shock SuspenStories, Aces High, and Incredible Science Fiction.

The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton.

A premiere collection of the best stories of EC Comics, curated in a deluxe hardcover, just in time to celebrate the legendary publisher's 75th anniversary! This volume collects stories from EC Comics' most famous titles, featuring classic stories from the hands of legendary creators Al Feldstein, Harvey Kurtzman, Johnny Craig, Jack Davis, Wally Wood, and more! Collects material from issues of Crime SuspenStories, Frontline Combat, Haunt of Fear, Impact, Shock SuspenStories, Tales from the Crypt, Two-Fisted Tales, Vault of Horror, Weird Fantasy, Weird Science, and Weird Science-Fantasy.

Mammoth Books: From history to manga, true crime to sci-fi, these anthologies feature top-name contributors and award-winning editors.

A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.