In Axis of Glory, Dan Lioy conducts a biblical and theological analysis of the temple motif as a conceptual and linguistic framework for understanding Scripture. His investigation takes a fresh look at the topic, assesses a representative group of the Judeo-Christian writings through the various prisms of secondary literature, and offers a synthesis of what appears in the biblical data. The author notes that references and allusions connected with the temple motif crisscross the entire literary landscape of Scripture. An additional finding is that the presence of the shrine concept is comparable to a series of rhetorical threads that join the fabric of God's Word and weaves together its seemingly eclectic and esoteric narratives into a richly textured, multicolored tapestry. The author concludes that the Bible's theocentric and Christocentric emphases are heightened in their intensity and sharpened in their focus due to the temple motif making its way through the pages of the sacred text, beginning with the opening chapter of Genesis and ending with the final chapter of Revelation.

In Exodus 34 Moses asks to see God's glory, and God reveals himself as a God who is merciful and just. James Hamilton Jr. contends that from this passage comes a biblical theology that unites the meta-narrative of Scripture under one central theme: God's glory in salvation through judgment. Hamilton begins in the Old Testament by showing that Israel was saved through God's judgment on the Egyptians and the Caananites. God was glorified through both his judgment and mercy, accorded in salvation to Israel. The New Testament unfolds the ultimate display of God's glory in justice and mercy, as it was God's righteous judgment shown on the cross that brought us salvation. God's glory in salvation through judgment will be shown at the end of time, when Christ returns to judge his enemies and save all who have called on his name. Hamilton moves through the Bible book by book, showing that there is one theological center to the whole Bible. The volume's systematic method and scope make it a unique resource for pastors, professors, and students.

The renowned philosopher expounds on the ideas he introduced in Homo Sacer with this analysis of the theological foundations of political power. In the early centuries of the Church, in order to reconcile monotheism with God’s threefold nature, the doctrine of Trinity was introduced in the guise of an economy of divine life. It was as if the Trinity amounted to nothing more than a problem of managing and governing the heavenly house and the world. In The Kingdom and the Glory, Agamben shows that this theological-economic paradigm unexpectedly lies at the origin of many of the most important categories of modern politics. Its influence ranges from the democratic theory of the division of powers to the strategic doctrine of collateral damage, and from the invisible hand of Smith’s liberalism to ideas of order and security. Agamben also demonstrates that modern power is not only government but also glory, and that the ceremonial, liturgical, and acclamatory aspects that we have regarded as vestiges of the past actually constitute the basis of Western power. Through a fascinating analysis of liturgical acclamations and ceremonial symbols of power—the throne, the crown, purple cloth, the Fasces, and more—Agamben develops an original genealogy that illuminates the startling function of consent and of the media in modern democracies.

[the text below needs editing and we must be careful not to say things about Dan Brown's book that could get Springer in legal trouble] Dan Brown’s novel, The Da Vinci Code, was first published in 2003; its sales have reached 40 million worldwide. The book mixes a small spice of fact into a large dollop of fiction to create an entertaining novel of intrigue, adventure, romance, danger and conspiracy, which have been imaginatively worked together to cook up the successful bestseller. Most interest in the book’s origins has centred on the sensational religious aspects. Dan Brown has written: ‘All of the art, architecture, secret rituals, secret societies, all of that is historical fact.’ This gives an air of authenticity to the book. Brown has, however, made up the religious doctrines, or based them on questionable accounts by others. The locations of the actions of The Da Vinci Code are not, however, made up. The present book is the scientific story behind the scene of several of the book’s actions that take place on the axis of France that passes through Paris. The Paris Meridian is the name of this location. It is the line running north-south through the astronomical observatory in Paris. One of the original intentions behind the founding of the Paris Observatory was to determine and measure this line. The French government financed the Paris Academy of Sciences to do so in the seventeenth to nineteenth centuries. It employed both astronomers – people who study and measure the stars – and geodesists – people who study and measure the Earth. This book is about what they did and why. It is a true story behind Dan Brown’s fiction. This is the first English language presentation of this historical material. It is attractively written and it features the story of the community of scientists who created the Paris Meridian. They knew each other well – some were members of the same families, in one case of four generations. Like scientists everywhere they collaborated and formed alliances; they also split into warring factions and squabbled. They travelled to foreign countries, somehow transcending the national and political disputes, as scientists do now, their eyes fixed on ideas of accuracy, truth and objective, enduring values – save where the reception given to their own work is concerned, when some became blind to high ideals and descended into petty politics. To establish the Paris Meridian, the scientists endured hardship, survived danger and gloried in amazing adventures during a time of turmoil in Europe, the French Revolution and the Napoleonic War between France and Spain. Some were accused of witchcraft. Some of their associates lost their heads on the guillotine. Some died of disease. Some won honour and fame. One became the Head of State in France, albeit for no more than a few weeks. Some found dangerous love in foreign countries. One scientist killed in self defence when attacked by a jealous lover, another was himself killed by a jealous lover, a third brought back a woman to France and then jilted her, whereupon she joined a convent. The scientists worked on practical problems of interest to the government and to the people. They also worked on one of the important intellectual problems of the time, a problem of great interest to their fellow scientists all over the world, nothing less than the theory of universal gravitation. They succeeded in their intellectual work, while touching politics and the affairs of state. Their endeavours have left their marks on the landscape, in art and in literature.

Egypt, October 1942 The battle for North Africa rages fiercely along the length of the Egyptian coast . . . Punching their way deep behind enemy lines, the newly formed SAS - under the enigmatic Lt Col David Stirling - carries out daring raids against the Germans. Lt Tom Caine leads a small squad of SAS men on a desperate mission far into hostile territory. His brief: to sabotage a terrible weapon being secretly developed by the Nazis in the desolate Libyan hills . . . If he fails the Axis forces will almost certainly be unstoppable. Caine faces the full force of the German military might, but what he doesn't know is that there is a traitor among his own men. Ultimately, his fate will rest in the hands of one woman, Special Ops agent Betty Nolan. Only one thing is for certain in this war - who dares wins . . .

In this collection of essays, Tom Greggs explores the nature of the church in a world of many religions. Greggs' writings on the Church and on other religions emphasize the importance of attentiveness to Christ and the Holy Spirit, and both are simultaneously generous and particularist. The first part of the book addresses the Church as it is brought into being by the Spirit in glorifying God, celebrates the sacraments, respects the authority of the creeds, is generously Catholic, and critiques its own religion. The second part looks at the church in a pluralist context as it engages in inter-faith dialogue, expresses both particularism and universalism, speaks of Christ with many names, and reads scripture and understands the many covenants found there. Greggs offers a programmatic conclusion, setting an agenda for theologies of the church and of other religions and their simultaneous relationality.

A Sufi scholar’s philosophical interpretation of the names of God The Divine Names is a philosophically sophisticated commentary on the names of God. Penned by the seventh-/thirteenth-century North African scholar and Sufi poet ʿAfīf al-Dīn al-Tilimsānī, The Divine Names expounds upon the one hundred and forty-six names of God that appear in the Qurʾan, including The All-Merciful, The Powerful, The First, and The Last. In his treatment of each divine name, al-Tilimsānī synthesizes and compares the views of three influential earlier authors, al-Bayhaqī, al-Ghazālī, and Ibn Barrajān. Al-Tilimsānī famously described his two teachers Ibn al-ʿArabī and al-Qūnawī as a “philosophizing mystic” and a “mysticizing philosopher,” respectively. Picking up their mantle, al-Tilimsānī merges mysticism and philosophy, combining the tenets of Akbari Sufism with the technical language of Aristotelian, Neoplatonic, and Avicennan philosophy as he explains his logic in a rigorous and concise way. Unlike Ibn al-ʿArabī, his overarching concern is not to examine the names as correspondences between God and creation, but to demonstrate how the names overlap at every level of cosmic existence. The Divine Names shows how a broad range of competing theological and philosophical interpretations can all contain elements of the truth.