TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

This study investigates prosody-syntax interactions from a functional perspective and based on authentic corpus data. Drawing on Halliday's well-known interpretation of the tone unit as an information unit, Halford's idea of a prosodically and syntactically defined talk unit and Esser's concept of abstract presentation structures, a modified talk unit model is developed. The talk unit is built up of one to many tone unit(s). The focus of both the quantitative and the functional analysis is on the interplay between prosodic status and syntactic status at tone unit boundaries by means of which talk units as parasyntactic units are established. The database is provided by a sample of about 50,000 words mainly taken from the London-Lund Corpus of Spoken English. The findings reveal that speakers have at their disposal and make use of prosody-syntax interactions in order to structure information effectively and to allow for or facilitate turn taking. This volume is not only of interest for corpus linguists, but for functionalists in general and intonationists in particular. In analysing the stylistic and pragmatic potential of talk units and applying corpus linguistic methodology, this study breaks new ground with regard to functional and empirical approaches to spoken English.

No detailed description available for "HIST LANGUAGE SCIENCES (KOERNER) 3.TLBD HSK 18.3 E-BOOK".

Bridges the divide between research practices in corpus linguistics and the scientific method, making clear the link between the two.

First published in 1982, this book looks at a wide variety of issues concerning the vast field of study that is ‘semiotics. It begins by tracing the beginnings of modern semiotics in the works two pioneering figures — Saussure and Peirce — in order to present fundamental assumptions, notions and distinctions which provide an essential background to the more recent developments. The author then goes on to look at Behavioural Semiotics, Luis Prieto’s idea of "l’Acte Semique", Austin’s theory of ‘Speech Acts’ and Searle’s elaborations, Barthes’ move away from philosophical and scientific approaches in his ideology of Socio-Cultural Signification, Functionalism and Axiomatic Functionalism, style as a form of communication, semiotics of the cinema, and communicative behaviour in non-human species.