A fresh account of early American religious history that argues for a new understanding of ritual. In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution. Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.

A fresh account of early American religious history that argues for a new understanding of ritual. In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution. Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.

Answering the call for new rituals in our secular age, this book recognises the essential importance of rituals to the psychological, physical and spiritual health of individuals, families, organisations, and society as a whole. The book examines and explains the history, function and place of emerging rituals in different cultures, as well as providing practical guidance for creating your own secular rituals. The author includes examples, risk factors and checklists for the stages of planning new rituals for life events such as birth, marriage, and death, as well as for public occasions such as graduation and protest marches.

Do your virtual meetings feel like a drag? Learn how to use rituals to build trust, increase engagement, and spark creativity. We rely on virtual meetings now more than ever. However, they can often feel awkward, monotonous, and frustrating. If you’re not thrilled with your virtual meetings, rituals can help your group break through to better results by providing structures that unlock freedom. With rituals, virtual meetings can be moments that are elevated and nurtured, opportunities for people to build connection and trust while accomplishing a common goal. In Rituals for Virtual Meetings: Creative Ways to Engage People and Strengthen Relationships authors Kursat Ozenc and Glenn Fajardo show leaders, managers, and meeting organizers how to build rapport and rhythm amongst team members when everyone is not in the same physical space. Rituals for Virtual Meetings provides readers with practical, concrete steps to improve group cohesion and performance, including: How to make virtual meetings more fluid and less awkward How to reduce Zoom fatigue and sustain people’s energy during meetings How to facilitate better interactions with project partners, customers, and clients How community leaders can engage members in a virtual setting How teachers can engage students in virtual classrooms Perfect for anyone who needs to engage people in virtual settings, the book also belongs on the shelves of anyone interested in how to increase team engagement in a variety of contexts.

Awkwardness offers an overview of the psychology and philosophy of awkwardness, addressing questions like, Why do social interactions become awkward, and why does it matter? What can awkwardness teach us about the gaps in our understanding of the world and of each other? Drawing on the psychology of emotion and social norms, Alexandra Plakias posits a theory of awkwardness and explains how it differs from other self-conscious emotions like embarassment. Plakias explores the reasons why we find awkwardness so unpleasant, and shows how our desire to avoid it leads to negative moral and social consequences. Along the way, this book touches on topics like awkward pauses, cringe comedy, and the question of whether some people are more awkward than others.

This Element focuses on Xin Fengxia (1927–1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949–1957), restricted creativity amidst political upheavals (1957–1975), and as a prominent author after a stroke (1977–1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success.

Chester Mudd had called Fable, Texas his home for nearly three decades when the old woman mysteriously showed up one morning, walking her dog. He'd become used to this predictable little town where everyone knew just about everyone else. But his next door neighbor didn't have the first notion who this newcomer was. Neither did his girlfriend. No one seemed to have any idea where this old woman came from or who she was. It was Chester Mudd's riddle. He watched her for one long week. She walked the dog every morning at precisely noon. She walked around the block exactly two times. Every day it took her exactly one half of an hour. This pattern never varied. Until now. Until today. Chester Mudd met the old woman outside on the sidewalk that passed by his front porch. "I am wondering why you are here?" Chester asked the old woman. "What else do you do when you've been dead for thirty years?" she replied. Dead. A ghost. Right here in Fable. Right here in his own home. "What is it like being dead?" The old woman grinned sadly, understanding more already about Fable in one week than Chester had figured out in years. "You tell me," she answered. "I just got here." Life is short. So are these thirteen tales. So read the Last Rites, and get on with the rest of your days.