Respect for animals has always been a part of human consciousness. Poets, thinkers, philosophers, scientists and statesmen have long celebrated our compassion towards Earth's other beasts.Awe for the Tiger, Love for the Lamb compiles the most significant statements of sensibility to animals in the history of thought. From the myths of the ancient world to the Middle Ages to Darwin and beyond, Preece captures the most telling and fascinating accounts of humankind's relationship to the wild world, placing them in historical context. Jung called it an unconscious identity with animals, while Wordsworth saw it as the primal sympathy which having been must ever be. Linking the diverse chords of human experience that are touched by the animal world, Preece shows that despite a historical thread of cruelty, there still remains in all humanity a constant underlying concern for other beings as an integral part of the moral community. With musings and meditations from Lao Tse to Mohammed, from Plato to Jane Goodall, from classical religion to parliamentary proceedings, Awe for the Tiger, Love for the Lamb is an original, superbly researched history that deepens our understanding of all living beings.

This collection of essays articulates theoretical and philosophical arguments, and advances practical applications, as to why animals ought to matter to social work, in and of themselves. It serves as a persuasive corrective to the current invisibility of animals in contemporary social work practice and thought.

As the global climate crisis and biodiversity loss deepen their impact and gain pace, Making Nature Social: Towards a Relationship with Nature provides core insights into what it means to understand our relationship to nature. This relationship is illustrated through interviews with people working in different nature practices, including engaging with nature, non-human animals, place, advocacy, and with work organization values. Rembrandt Zegers argues that since non-humans do not use human language, meaning is conducted through the senses, giving rise to a knowing that manifests itself through the body first before finding its way socially in human language. Through these senses the relation to non-human others and nature can become a conversation; in other words, a relationship built on reciprocity. The book illustrates how these meanings occur and how these conversations happen, how crucial they are, and how they are connected. It dives deep into the essence of the lived experience of our relationship to nature and in doing so acknowledges how important the lived experience is for the purpose of a relationship with nature.

Animal rights activists today regularly use visual imagery in their efforts to shape the public’s understanding of what it means to be “kind,” “cruel,” and “inhumane” toward animals. Art for Animals explores the early history of this form of advocacy through the images and the people who harnessed their power. Following in the footsteps of earlier-formed organizations like the RSPCA and ASPCA, animal advocacy groups such as the Victoria Street Society for the Protection of Animals from Vivisection made significant use of visual art in literature and campaign materials. But, enabled by new and improved technologies and techniques, they took the imagery much further than their predecessors did, turning toward vivid, pointed, and at times graphic depictions of human-animal interactions. Keri Cronin explains why the activist community embraced this approach, details how the use of such tools played a critical role in educational and reform movements in the United States, Canada, and England, and traces their impact in public and private spaces. Far from being peripheral illustrations of points articulated in written texts or argued in impassioned speeches, these photographs, prints, paintings, exhibitions, “magic lantern” slides, and films were key components of animal advocacy at the time, both educating the general public and creating a sense of shared identity among the reformers. Uniquely focused on imagery from the early days of the animal rights movement and filled with striking visuals, Art for Animals sheds new light on the history and development of modern animal advocacy.

This first book-length story and study of philosopher, activist, inventor, and philanthropist Lewis Gompertz--co-founder of both the Society for the Prevention of Cruelty to Animals (1824, ousted in 1832) and the Animals' Friend Society (1832-52)--charts his struggle against likely and unlikely enemies on behalf of other species, women, the poor, apprentices, prisoners, and slaves. Outraging fearful, elitist Christians, his classic Moral Inquiries on the Situation of Man and of Brutes (1824) reveals influences, tenets, and indeed his own situation in attempting to formulate and live by a rational morality for others' benefit, defying religious and structural forces that wanted far less. Power, class, philosophy, history, education, reform, and revolution all play their part in this account of his campaigning work and works (including Fragments in Defence of Animals and The Animals' Friend periodical), exposing the racist, sectarian rhetoric and scheming he endured at a defining moment. This attritional action, by which humane progress was obstructed and for more than a century fixed, is more disturbing than has been made widely detailed until now, in this much-needed, critical introduction.

An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.

The bestselling author of "When Elephants Weep" explores humans' relationship with the animals they call food. Masson investigates how denial keeps people from recognizing the animal at the end of their fork as well as each culture's distinctions among animals considered food and those that are forbidden.