With the arrival of Clement V in 1309, seven popes ruled the Western Church from Avignon until 1378. Joëlle Rollo-Koster traces the compelling story of the transplanted papacy in Avignon, the city the popes transformed into their capital. Through an engaging blend of political and social history, she argues that we should think more positively about the Avignon papacy, with its effective governance, intellectual creativity, and dynamism. It is a remarkable tale of an institution growing and defending its prerogatives, of people both high and low who produced and served its needs, and of the city they built together. As the author reconsiders the Avignon papacy (1309–1378) and the Great Western Schism (1378–1417) within the social setting of late medieval Avignon, she also recovers the city’s urban texture, the stamp of its streets, the noise of its crowds and celebrations, and its people’s joys and pains. Each chapter focuses on the popes, their rules, the crises they faced, and their administration but also on the history of the city, considering the recent historiography to link the life of the administration with that of the city and its people. The story of Avignon and its inhabitants is crucial for our understanding of the institutional history of the papacy in the later Middle Ages. The author argues that the Avignon papacy and the Schism encouraged fundamental institutional changes in the governance of early modern Europe—effective centralization linked to fiscal policy, efficient bureaucratic governance, court society (société de cour), and conciliarism. This fascinating history of a misunderstood era will bring to life what it was like to live in the fourteenth-century capital of Christianity.

Like the finest medieval tapestry, this narrative history masterfully weaves together the sweeping events surrounding what has become known as the "Babylonian captivity" of the popes into the broader story of 14th-century Europe-one of the most turbulent times in the continent's history. It was a time of fear, ferocity, and religious agony, which saw the suppression of the Knights Templar and the Cathars, the first onslaught of the plague, and the beginning of the Hundred Years' War. The century also produced some of the greatest writers and artists in the western tradition, including Giotto, Boccaccio, Petrarch, and Chaucer. Central to this period was the movement of the papal seat from Rome to Avignon in the south of France, where seven successive popes held power from 1309-1377. The drama, intrigue, and tumult associated with the papacy in exile forms the perfect lens through which to clearly see a Europe making the transition from the Middle Ages to the Renaissance.

A new history of the Great Western Schism, focusing on social drama and the performance of legitimacy and papacy.

The Avignon papacy (1309–1377) represented the zenith of papal power in Europe. The Roman curia’s move to southern France enlarged its bureaucracy, centralized its authority, and initiated closer contact with secular institutions. The pope’s presence also attracted leading minds to Avignon, transforming a modest city into a cosmopolitan center of learning. But a crisis of legitimacy was brewing among leading thinkers of the day. The Avignon Papacy Contested considers the work of six fourteenth-century writers who waged literary war against the Catholic Church’s increasing claims of supremacy over secular rulers—a conflict that engaged contemporary critics from every corner of Europe. Unn Falkeid uncovers the dispute’s origins in Dante’s Paradiso and Monarchia, where she identifies a sophisticated argument for the separation of church and state. In Petrarch’s writings she traces growing concern about papal authority, precipitated by the curia’s exile from Rome. Marsilius of Padua’s theory of citizen agency indicates a resistance to the pope’s encroaching power, which finds richer expression in William of Ockham’s philosophy of individual liberty. Both men were branded as heretics. The mystical writings of Birgitta of Sweden and Catherine of Siena, in Falkeid’s reading, contain cloaked confrontations over papal ethics and church governance even though these women were later canonized. While each of the six writers responded creatively to the implications of the Avignon papacy, they shared a concern for the breakdown of secular order implied by the expansion of papal power and a willingness to speak their minds.

This collection presents the broadest range of experiences faced during the Schism, center and periphery, clerical and lay, male and female, Christian and Muslim, theology, including exegesis of Scripture, diplomacy, French literature, reform, art, and finance.

Winner of the 2011 Bainton Prize for Reference Works A Companion to Early Modern Rome, 1492-1692, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, is a unique multidisciplinary study offering innovative analyses of a wide range of topics. The 30 chapters critique past and recent scholarship and identify new avenues for research.