An exquisitely illustrated journey through the complex and crucial relationship between humans and birds. Avian Illuminations examines the many roles birds have played in human society, from food, messengers, deities, and pets, to omens, muses, timekeepers, custodians, hunting companions, decorative motifs, and, most importantly, embodiments of our aspirations. Boria Sax narrates the history of our relationships with a host of bird species, including crows, owls, parrots, falcons, eagles, nightingales, hummingbirds, and many more. Along the way, Sax describes how birds’ nesting has symbolized human romance, how their flight has inspired inventors throughout history, and he concludes by showing that the interconnections between birds and humans are so manifold that a world without birds would effectively mean an end to human culture itself. Beautifully illustrated, Avian Illuminations is a superb overview of humanity’s long and rich association with our avian companions.

A landmark examination of the fraught relationship between humans and animals, taking the reader from Genesis to climate change. Beginning with the very origins of life on Earth, Woolfson considers prehistoric human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love, and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.

From “a captivating storyteller” (Wall Street Journal), the natural history of humankind told through our long relationship with birds For the whole of human history, we have lived alongside birds. We have hunted and domesticated them for food; venerated them in our mythologies, religions, and rituals; exploited them for their natural resources; and been inspired by them for our music, art, and poetry. In Ten Birds That Changed the World, naturalist and author Stephen Moss tells the gripping story of this long and intimate relationship through key species from all seven of the world’s continents. From Odin’s faithful raven companions to Darwin’s finches, and from the wild turkey of the Americas to the emperor penguin as potent symbol of the climate crisis, this is a fascinating, eye-opening, and endlessly engaging work of natural history.

This edited collection explores our often-surprising modes of co-inhabiting the cultural and aerial worlds of birds. It focuses on our encounters with non-captive birds and the cultural geographies of feathered flight. This book offers a timely contribution to the more-than-human geographies of flight, space and territory. The chapters support an ethics of attention as a new basis for the conservation and cultivation of aerial habitats. Contributions adopt an interdisciplinary approach to the patterns of intrusion and escape that shape our encounters with birds and unsettle our traditionally terrestrial concepts of space. Each chapter focuses on a different aspect of our shared lives with birds, ranging from scientific observation to the social media-enabled spectacle of co-habitation and spatial competition. Written in a thought-provoking style, this book seeks to address a dearth of critical perspectives on the cultural geographies of flight and its implications for the ways in which we understand common spaces around and above us in the context of any effort at conservation.

Ten Thousand Birds provides a thoroughly engaging and authoritative history of modern ornithology, tracing how the study of birds has been shaped by a succession of visionary and often-controversial personalities, and by the unique social and scientific contexts in which these extraordinary individuals worked. This beautifully illustrated book opens in the middle of the nineteenth century when ornithology was a museum-based discipline focused almost exclusively on the anatomy, taxonomy, and classification of dead birds. It describes how in the early 1900s pioneering individuals such as Erwin Stresemann, Ernst Mayr, and Julian Huxley recognized the importance of studying live birds in the field, and how this shift thrust ornithology into the mainstream of the biological sciences. The book tells the stories of eccentrics like Colonel Richard Meinertzhagen, a pathological liar who stole specimens from museums and quite likely murdered his wife, and describes the breathtaking insights and discoveries of ambitious and influential figures such as David Lack, Niko Tinbergen, Robert MacArthur, and others who through their studies of birds transformed entire fields of biology. Ten Thousand Birds brings this history vividly to life through the work and achievements of those who advanced the field. Drawing on a wealth of archival material and in-depth interviews, this fascinating book reveals how research on birds has contributed more to our understanding of animal biology than the study of just about any other group of organisms.

Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culture–nature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on human–raptor ontologies and epistemologies. The contributors recognize that human–raptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about human–raptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey.