A fresh look at the World Heritage Site that includes Avebury henge, West Kennet long barrow and Silbury Hill. Mann combines archaeology, astronomy and anthropology to offer an original and convincing account of the building of these extraordinary Neolithic monuments. The ancient Britons were inspired by a profound knowledge of the heavens when they erected the monumental stones of Avebury. Mann throws light on the motive behind the creation of its awe-inspiring mounds and megaliths by demonstrating that they were aligned to the cycles of the Sun, Moon and stars. This book will help visitors and readers to see Avebury in a wholly new light - the light of the heavenly bodies that guided its Neolithic builders. Avebury Cosmos will reawaken our ancient reverence for the stars and deepen our respect for the extraordinary abilities and forgotten knowledge of our prehistoric ancestors.

For one brief moment in the third millennium BCE the galaxy levelled around the horizon, bringing into view stars that would not be visible again in the northern hemisphere for twenty thousand years. The spectacular Southern Cross dominated the night sky, and it is the contention of this book that this event was marked by the Neolithic people of Britain by monuments such as Avebury. Avebury Henge marries archaeology with astronomy to show that the people who built Avebury, West Kennet long barrow and Silbury Hill aligned them not only with the cycles of the sun, moon and planets, but also with the stars.

There have been many attempts to explain the purpose of Stonehenge. Using archaelogical detail and a knowledge of the heavens as they were many millennia ago, North establishes the function of the stones themselves and what we can know of the religion that caused them to be erected.

An exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each ‘Moments’ book is organised around a provocative binary theme. Sound / image reassesses the synergy between televisual images, and sounds and music, as a key creative interaction warranting closer attention. Through close scrutiny of visual and sonic elements, the book’s chosen programmes are persuasively illuminated in new ways. The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.

Britain's pagan past, with its astonishing number and variety of mysterious monuments, atmospheric sites, enigmatic artefacts, bloodthirsty legends and cryptic inscriptions, has always enthralled and perplexed us. 'Pagan Britain' is a history of religious beliefs from the Old Stone Age to the coming of Christianity. This ambitious book integrates the latest evidence to survey our transformed - and transforming - understanding of early religious behaviour; and, also, the way in which that behaviour has been interpreted in recent times, as a mirror for modern dreams and fears. From the Palaeolithic era to the coming of Christianity and beyond, Hutton reveals the long development, rapid suppression and enduring cultural significance of paganism. Woven into the chronological narrative are numerous case studies of sacred sites both well-known - Stonehenge, Avebury, Seahenge and Maiden Castle - and more unusual far-flung locations across the mainland and coastal islands.

Above the land and its horizon lies the celestial sphere, that great dome of the sky which governs light and darkness, critical to life itself, yet its influence is often neglected in the archaeological narrative. Visualising Skyscapes captures a growing interest in the emerging field of skyscape archaeology. This powerful and innovative book returns the sky to its rightful place as a central consideration in archaeological thought and can be regarded as a handbook for further research. Bookended by a foreword by archaeologist Gabriel Cooney and an afterword by astronomer Andrew Newsam, its contents have a wide-reaching relevance for the fields of archaeology, anthropology, ethnography, archaeoastronomy, astronomy, heritage and cultural studies. The volume balances six chapters on theory and methodology which elaborate on the history and practice of the field with six other chapters focused on case studies from around the world. Visualising Skyscapes captures the growing interest in the multidisciplinary study of skyscapes and will be of interest to academics, students and the general public, as well as having international appeal. It is topical, timely and relevant to current debates and will hopefully stimulate further interest in this exciting and relatively new area of investigation. The contributions showcase the work of distinguished academics in the field and the chapters are all enhanced by numerous photographs and images.

Bronwar and Caitlin, the main initiates in the story, find themselves experiencing the ancient, spiritual wisdom of many cultures as they physically, spiritually, and emotionally travel to sacred sites that have existed from time immemorial upon the Earth. Through this journey, they explore what spiritual concepts mean to the growth of humanity and to themselves as individuals.