A thorough study of why Kant developed the concept of autonomy, one of his central legacies for contemporary moral thought.

Recognizing the essential heteronomy of postmodern philosophy of religion, Merold Westphal argues against the assumption that human reason is universal, neutral, and devoid of presupposition. Instead, Westphal contends that any philosophy is a matter of faith and the philosophical encounter with theology arises from the very act of thinking. Relying on the work of Spinoza, Kant, and Hegel, Westphal discovers that their theologies render them mutually incompatible and their claims to be the voice of autonomous and universal reason look dubious. Westphal grapples with this plural nature of human thought in the philosophy of religion and he forwards the idea that any appeal to the divine must rest on a historical and phenomenological analysis.

Immanuel Kant (1724-1804) stands among the greatest thinkers of the Western world. There is hardly an area of thought, at least of philosophical thought, to which he did not make significant and lasting contributions. Particularly noteworthy are his writings on the foundations and limits of human knowledge, the bidimensional nature of perceptual or "natural" objects (including human beings), the basic principles and ends of morality, the character of a just society and of a world at peace, the movement and direction of human history, the nature of beauty, the end or purpose of all creation, the proper education of young people, the true conception of religion, and on and on. Though Kant was a life-long resident of Konigsberg, Prussia - child, student, tutor, and then professor of philosophy (and other subjects) - his thought ranged over nearly all the world and even beyond. Reports reveal that he (a bachelor) was an amiable man, highly respected by his students and colleagues, and even loved by his several close friends. He was apparently a man of integrity, both in his personal relations and in his pursuit of knowledge and truth. Despite his somewhat pessimistic attitude toward the moral progress of mankind - judging from past history and contemporary events - he never wavered from a deep-seated faith in the goodness of the human heart, in man's "splendid disposition toward the good.

This book explores the central importance Kant's concept of autonomy for contemporary moral thought and modern philosophy.

Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the question of aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.

"Lectures ... given at Harvard University in the first half of the academic year 1936-37"--Foreword.