Of all the critiques of the Enlightenment, the most telling may be found in the life and writings of Jean-Jacques Rousseau. This searching, long overlooked auto critique receives its first full treatment by Mark Hulliung. Here he restores Rousseau to his historical context, the world of the philosophes, and shows how he employed the arsenal of Voltaire, Diderot, and others to launch a powerful attack on their version of the Enlightenment. With great intellectual skill and rhetorical force, Rousseau exposed the inconsistencies and shortcomings of the Enlightenment: the psychology of Locke, the genre of philosophical and conjectural history, the latest applications of science to the study of society and politics, and the growing interest in materialist modes of thought. As the century moved on, Hulliung shows, the most advanced philosophes found themselves drawn to conclusions that paralleled Rousseau's an agreement that went unacknowledged at the time. The Enlightenment that emerges here is richer, more nuanced, and more self-critical than the one reflected in many interpretations. By extracting Rousseau from personal entangle-ments that stymied debate in his time and that mislead critics to this day, Hulliung reveals the remarkable and remarkably unacknowledged force of Rousseau's accomplishment. This edition includes a brilliant new introduction by the author.

“Not only an astute diagnosis of the confusions and contradictions of contemporary thought; it also offers compelling alternatives.” —Rita Felski, author of Hooked: Art and Attachment For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism. Metamodernism works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.

Michael Corris examines Ad Reinhardt’s life and work, charting the development of his entire oeuvre - from abstract paintings, to graphic artwork, to illustrations and cartoons.

Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the margins and examines the work of Jonathan Caouette, Chantal Akerman and many more.

The giant of Ljubljana marshals some of the greatest thinkers of our age in support of a dazzling re-evaluation of Jacques Lacan.