John Hazlett's engaging study of writers from the 1960s demonstrates the ways in which the idea of the generation has affected autobiographical writing in this century. Autobiographers from the sixties claim to speak on behalf of all members of their generation. However, each writer presents a unique political and personal agenda.

A study of autobiography in twentieth-century African American culture.

From those who insist that Barack Obama is Muslim to the European legislators who go to extraordinary lengths to ban items of clothing worn by a tiny percentage of their populations, Gary Younge shows, in this fascinating, witty, and provocative examination of the enduring legacy and obsession with identity in politics and everyday life, that how we define ourselves informs every aspect of our social, political, and personal lives. Younge -- a black British male of Caribbean descent living in Brooklyn, New York, who speaks fluent Russian and French -- travels the planet in search of answers to why identity is so combustible. From Tiger Woods's legacy to the scandal over Danish cartoons of the Prophet Mohammed, he finds that identity is inescapable, but solidarity may not be as elusive as we fear. We are more alike than we are unalike. But the way we are unalike matters. To be male in Saudi Arabia, Jewish in Israel or white in Europe confers certain powers and privileges that those with other identities do not have. In other words, identity can represent a material fact in itself. As Gary Younge demonstrates in this classic book, now featuring a new introduction,, how we define ourselves affects every part of our lives: from violence on the streets to international terrorism; from changes in our laws to whom we elect; from our personal safety to military occupations. Moving between fascinating memoir and searing analysis, from beauty contests in Ireland to the personal views of Tiger Woods, from the author's own terrifying student days in Paris to how race and gender affect one's voting choices, Gary Younge makes surprising and enlightening connections and a devastating critique of the way our society really works.

A powerful challenge to the way we understand the politics of race and the history of anti-racist struggle Whether class or race is the more important factor in modern politics is a question right at the heart of recent history’s most contentious debates. Among groups who should readily find common ground, there is little agreement. To escape this deadlock, Asad Haider turns to the rich legacies of the black freedom struggle. Drawing on the words and deeds of black revolutionary theorists, he argues that identity politics is not synonymous with anti-racism, but instead amounts to the neutralization of its movements. It marks a retreat from the crucial passage of identity to solidarity, and from individual recognition to the collective struggle against an oppressive social structure. Weaving together autobiographical reflection, historical analysis, theoretical exegesis, and protest reportage, Mistaken Identity is a passionate call for a new practice of politics beyond colorblind chauvinism and “the ideology of race.”

Bachelor Thesis from the year 2020 in the subject American Studies - Literature, University of Luxembourg, language: English, abstract: This BA dissertation is dedicated to the genre of autobiographies, also known as life writing. It focuses on Michelle Obama's 2018 memoir "Becoming" and discusses both the traditions of African-American female autobiographies and the political memoir genre. "Becoming" permits Obama to tell her own story to set the record straight. It gives her the opportunity to rewrite her story and define her own identity for herself. Writing as a former political figure–the First Lady of the United States of America, Obama does not refrain from incorporating her personal life as well as a personal message. As a former First Lady, "Becoming" can be understood as being part of the genre of the First Lady memoir. As such, Obama’s autobiography can be defined as an intersection between African American women’s autobiographies and the genre of First Lady memoir which have both been largely excluded from the literary canon. Thus, Obama constitutes a minority within a minority as she is not only a First Lady, but she is the nation’s only African American First Lady. Moreover, Obama constitutes a political observer and having written one of the most valuable autobiographies of the twenty-first century, she illustrates how despite the fact that African Americans have largely been excluded from American politics, her autobiography demonstrates the progress America has made by electing its first African American president. In this thesis, it is my contention that Obama’s autobiography "Becoming" constructs an amalgamation between African American women’s life writing and the autobiographical sub-genre of the First Lady memoir. African American women autobiographers construct a self that has, as Terrell puts it, two central handicaps – gender and race. This statement from the 20th century captures the intersectionality of African American women’s identities. In her autobiography "Becoming", Michelle Obama shows her awareness of her intersectional identity as she writes ‘I’ve been the only woman, the only African American, in all sorts of rooms’. Thus, the tradition of African American women’s autobiographies requires a suitable theoretical framework when examining their texts.