INTERNATIONAL BESTSELLER "A remarkable book. Weigel's biography is likely to remain the standard one-volume reference on John Paul II for many years to come." — Pittsburg Post-Gazette ?“Fascinating. . . sheds light on the history of the twentieth century for everyone.” —New York Times Book Review The definitive biography of Pope John Paul II that explores how influential he was on the world stage and in some of the most historic events of the twentieth century that can still be felt today Witness to Hope is the authoritative biography of one of the singular figures—some might argue the singular figure—of our time. With unprecedented cooperation from John Paul II and the people who knew and worked with him throughout his life, George Weigel offers a groundbreaking portrait of the Pope as a man, a thinker, and a leader whose religious convictions defined a new approach to world politics—and changed the course of history. As even his critics concede, John Paul II occupied a unique place on the world stage and put down intellectual markers that no one could ignore or avoid as humanity entered a new millennium fraught with possibility and danger. The Pope was a man of prodigious energy who played a crucial, yet insufficiently explored, role in some of the most momentous events of our time, including the collapse of European communism, the quest for peace in the Middle East, and the democratic transformation of Latin America. With an updated preface, this edition of Witness to Hope explains how this “man from a far country” did all of that, and much more—and what both his accomplishments and the unfinished business of his pontificate mean for the future of the Church and the world.

Oscar Hammerstein II (1895-1960) forged a remarkable, multifaceted career as a librettist, lyricist, playwright, director, and producer. He wrote Carmen Jones, Carousel, Show Boat, and, with longtime collaborator Richard Rodgers, Oklahoma!, South Pacific, The King and I, and The Sound of Music. Hugh Fordin enjoyed complete access to the Hammerstein archives and conducted numerous interviews with family and colleagues like Rodgers, Berlin, Robbins, and Sondheim. The result is the definitive biography of a creative giant, who changed forever the texture of American theater.

Prince Bismarck's greatness as a statesman and his imperishable services to Prussia and Germany are historical facts of such tremendous significance that there is doubtless no man in existence, whatever his party affiliations, who would dare to place them in question. For this very reason alone it is stupid to accuse me of not having recognized the greatness of Prince Bismarck. The opposite is the truth. I revered and idolized him. Nor could it be otherwise. It should be borne in mind with what generation I grew up—the generation of the devotees of Bismarck. He was the creator of the German Empire, the paladin of my grandfather, and all of us considered him the greatest statesman of his day and were proud that he was a German. Bismarck was the idol in my temple, whom I worshiped. But monarchs also are human beings of flesh and blood, hence they, too, are exposed to the influences emanating from the conduct of others; therefore, looking at the matter from a human point of view, one will understand how Prince Bismarck, by his fight against me, himself destroyed, with heavy blows, the idol of which I have spoken. But my reverence for Bismarck, the great statesman, remained unaltered. While I was still Prince of Prussia I often thought to myself: "I hope that the great Chancellor will live for many years yet, since I should be safe if I could govern with him." But my reverence for the great statesman was not such as to make me take upon my own shoulders, when I became Emperor, political plans or actions of the Prince which I considered mistakes. Even the Congress of Berlin in 1878 was, to my way of thinking, a mistake, likewise the "Kulturkampf." Moreover, the constitution of the Empire was drawn up so as to fit in with Bismarck's extraordinary preponderance as a statesman; the big cuirassier boots did not fit every man. Then came the labor-protective legislation. I most deeply deplored the dispute which grew out of this, but, at that time, it was necessary for me to take the road to compromise, which has generally been my road both on domestic and foreign politics. For this reason I could not wage the open warfare against the Social Democrats which the Prince desired. Nevertheless, this quarrel about political measures cannot lessen my admiration for the greatness of Bismarck as a statesman; he remains the creator of the German Empire, and surely no one man need have done more for his country than that. Owing to the fact that the great matter of unifying the Empire was always before my eyes, I did not allow myself to be influenced by the agitations which were the commonplaces of those days. In like manner, the fact that Bismarck was called the majordomo of the Hohenzollerns could not shake my trust in the Prince, although he, perhaps, had thoughts of a political tradition for his family. As evidence of this, he felt unhappy, for instance, that his son Bill felt no interest in politics and wished to pass on his power to Herbert.

Mel Paisley returned to the States from Europe on his 21st birthday having claimed nine air victories and received 21 decorations, including the Distinguished Service Cross. This is his story--from the joys and tears of a young cadet earning his silver wings to air combat over France, where survival from day-to-day was an uncertain consequence of both skill and luck. (Branden Publishing)

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Olin Stephens is the most successful racing-yacht designer of the 20th century, a legend in his own time almost from the day in 1931 when he and his brother Rod and father Roderick, Sr. finished a transatlantic race to England in the revolutionary 52' yawl Dorade a full two days ahead of the competition. His autobiography begins with youthful family sailing, moves on to Six-Metre designs and victories, to J-Boat experience in the 1930s, to war work in the 1940s, to American Cup design and sailing from 1958 to 1983, and to a fleet of great cruising and racing yachts in between. This personal history of Olin and his brother, Rod, of the renowned design firm of Sparkman and Stephens, and of international yachting in this century, is informed, introspective, eloquent.