Written by a well-known Australian composer, musician and recording artist this book presents a richly detailed and lavishly illustrated examination of Australian instrument making, both past and present. Covers all types of instruments and contains a number of informative appendices, a glossary, discography, bibliography and index.

Saturday night, small town Wales, one pub, one party and three lads stuck with their school reputations - the gimp, the geek and the bully. Their dream - to get the hell out Dead White Males: "Triumphant...The neatly lined up ducks of academic absolutism are ruthlessly, and hilariously, assassinated" - Sydney Morning Herald; "Swain is a wonderful creation" - Guardian The 7 Stages of Grieving: "A subtle and complex invitation to experience something of the depth of Aboriginal grieving" - Melbourne Age. Hotel Sorrento: "Has a moody, evocative, literary sweep and scope to it" - Sydney Morning Herald Two: In 1948, in a German town, Anna comes to Rabbi Chaim Levi for Hebrew lessons. As the two study the language, their stories are gradually revealed, raising fundamental moral questions as they try to reconcile their tormented pasts and accept and renew their lives. The Popular Mechanicals: "One of the most rollickingly entertaining nights in the theatre" (Sydney Morning Herald)

Contains the scripts of nine colonial plays, each script has been carefully edited or reconstructed from unique manuscripts or rare colonial printed editions.

How do you creatively plan for a population of 62 million by 2100, Australia's current major city planning frameworks only account for an extra 5.5 million people. Whether we want a 'Big Australia' or not, Australia's 21st century is likely to see rapid and continual growth - and if we want liveable, high functioning cities and regional centres we need to think outside the box. Richard Weller and Julian Bolleter (Australian Urban Design Research Centre) offer optimistic and creative solutions for the future with one imperative: what we build this century will make or break our country.

In this third of 4 volumes that include more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The formation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.

In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.

This book is volume 2 of a 4 volume series, the first 3 of which have been published by Xlibris and the 4th almost complete for imminent delivery. In its entirety this work is the most comprehensive and accurate account of Australian Classical Music making ever undertaken. Its scope is from 1901-2012 and includes more than 800 composers, famous and obscure, with more than 30,000 compositions including details of their premieres (where, when and by whom). Individual performers, ensembles, orchestras, opera and ballet companies, music educators, instrument makers, academics, entrepreneurs, philanthropists and critics are included as part of the story. The foundation and demise of music institutions, venues and festivals is recorded chronologically. Altogether an extensive picture of Australian Classical Music production and performance can be gleaned in any given year. This book is distinct insofar as it can be read conventionally (from cover to cover); or one may choose a composer/performer and follow his/her career year by year; or one may open the book at random and delight in the unusual and esoteric information therein. This book, and its companion volumes, are valuable and indispensable works for the serious music student, professional musician, performing amateur, cultural aficionado and inquisitive lay person.