Fifty years after its first publication, Robin Boyd's bestselling The Australian Ugliness remains the definitive statement on how we live and think in the environments we create for ourselves. In it Boyd rallied against Australia's promotion of ornament, decorative approach to design and slavish imitation of all things American. 'The basis of the Australian ugliness,' he wrote, 'is an unwillingness to be committed on the level of ideas. In all the arts of living, in the shaping of all her artefacts, as in politics, Australia shuffles about vigorously in the middle - as she estimates the middle - of the road, picking up disconnected ideas wherever she finds them.' Boyd was a fierce critic, and an advocate of good design. He understood the significance of the connection between people and their dwellings, and argued passionately for a national architecture forged from a genuine Australian identity. His concerns are as important now, in an era of suburban sprawl and inner-city redevelopment, as they were half a century ago. Caustic and brilliant, The Australian Ugliness is a masterpiece that enables us to see our surroundings with fresh eyes. This handsome anniversary edition is complemented by Robin Boyd's original sketches for the book and a new afterword by major contemporary architects.

Though celebrated at the peak of his career, Australian architect John Andrews' fame waned over time. His body of work exemplifies the late-modern development of architecture and deserves to be better known. John Andrews: Architect of Uncommon Sense examines his most important buildings and presents his local and international legacy.

The Architecture of Landscape, 1940-1960 provides a groundbreaking collection of worldwide perspectives on a vital and underappreciated era of landscape architecture. It is also the first critical assessment of this period, with information and insight previously unavailable to English-language readers.

MMXX tells the story of architecture in Australia in the first two decades of the 21st century. Shaped by unprecedented prosperity, urbanisation, uncertainty and internationalisation, the past two decades have produced some of the most significant and diverse architecture in this country. This richly illustrated volume reflects on and evaluates this period, taking the reader on a journey through varying scales and locations - from ambitious city-making projects to finely crafted homes and elegant sheds nestled in the scenic countryside. Showcasing 59 acclaimed projects completed between 2000 and 2019, the book features work by more than 100 practices. Turn the pages to experience the urban generosity of Harry Seidler & Associates' Riparian Plaza in Brisbane, visit the irreverent and culture-shaping Museum of Old and New Art in Hobart by Fender Katsalidis, and explore ARM Architecture's iconic Shrine of Remembrance on Melbourne's grand axis. Highlighting the impact of the buildings, each is paired with a number that tells a story of occupation: capacity concert audiences, the number of babies born and large crowds gathered to witness moments in history. Alongside the key projects, ten essays by leading thinkers document the cultures and ideas that have shaped architecture today. MMXX guides the reader through contemporary architecture in Australia, foregrounding its invaluable contribution to our built environment and inspiring an optimistic future.

This book explores the work of landscape architects in Australia since the 1960s. It describes how landscape architects are, as contemporary Australians, listening more closely to the language of the landscape and how they are designing new landscapes in

Robin Boyd: Late Works unveils the urban and public architectural projects designed by Robin Boyd, one of Australia's most iconic mid-century modernists, in the final decade before his untimely death in 1971. One of the few architects in Australia's history to have become a household name, Boyd rose to prominence as a public intellectual after the release of his book The Australian Ugliness in 1960, a biting attack on what he saw as the debased quality of Australia's cities and design culture. Upon its release, the book drew both condemnation and praise in Australia's media, but in the process gave Boyd a national platform from which to campaign throughout the 1960s for the betterment of Australia's built environment. Concomitant with his public pronouncements during this time, though, Boyd was hard at work attempting to prosecute his vision of a more coherent and contemporary Australian urban environment and culture. This work took the form of building and planning designs, at sometimes vast scales, that run counter to Boyd's reputation as an architect of polite modernist private houses.Robin Boyd: Late Works considers these important but largely forgotten architectural projects alongside his exhibition work, multimedia designs and his writing. Bringing to light material buried deep in the archives of several national institutions, this book documents Boyd's ambitions and struggles to shape Australia's understanding of itself as an urban nation during this time. For Boyd, the 1960s was a turbulent decade of architectural practice that, by the time of his death, had come with thwarted ambitions and high personal cost.