Austen'sUnbecomingConjunctions is a contemporary study of all Jane Austen's writings focusing on her representation of women, sexuality, the material objects, and linguistic patterns by which this sexuality was expressed. Heydt-Stevenson demonstrates the subtle, vulgar, and humorous ways Austen uses human bodies, objects, and activities (fashion, jewelry, crafts, popular literature, travel and tourism, money, and courtship rituals) to convey sexuality and sexual appetites. Through the sexual subtext, Heydt-Stevenson proposes, Austen satirized contemporary sexual hypocrisy; overcame the stereotypes of women authors as sexually inhibited, sheltered, or repressed; and addressed as sophisticated and worldly an audience as Byron's. Thus through her careful reading of all the Austen texts in light of the language of eroticism, both traditional and contemporary, Heydt-Stevenson re-evaluates Austen's audience, the novels, and her role as a writer.

Jane Austen and Comedy takes for granted two related notions. First, Jane Austen’s books are funny; they induce laughter, and that laughter is worth attending to for a variety of reasons. Second, Jane Austen’s books are comedies, understandable both through the generic form that ends in marriage after the potential hilarity of romantic adversity and through a more general promise of wish fulfillment. In bringing together Austen and comedy, which are both often dismissed as superfluous or irrelevant to a contemporary world, this collection of essays directs attention to the ways we laugh, the ways that Austen may make us do so, and the ways that our laughter is conditioned by the form in which Austen writes: comedy. Jane Austen and Comedy invites reflection not only on her inclusion of laughter and humor, the comic, jokes, wit, and all the other topics that can so readily be grouped under the broad umbrella that is comedy, but also on the idea or form of comedy itself, and on the way that this form may govern our thinking about many things outside the realm of Austen’s work. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

“Jane Austen’s Families” focuses on family dynamics in Jane Austen’s six novels. After a general introduction, which places its approach in the context of ethical criticism, it divides into two sections. The first, “Family Dynamics,” consists of three chapters – “The Function of the Dysfunctional Family,” “Spoilt Children” and “Usefulness and Exertion.” The three chapters of section two, “Fathers and Daughters,” look at father–daughter relationships in “Mansfield Park,” “Emma” and “Persuasion.”

This book provides fresh perspectives on the object world, embodied experience and materiality in nineteenth-century literature and culture. Contributors explore canonical works by Austen, Brontë, Dickens and James, alongside less-familiar texts and a range of objects including nineteenth-century automata, scrapbooks, museum exhibits and antiques.

Provocative essays on the ways feminist approaches to research can unite research practice and social action

Almost 200 years after her death, Jane Austen has become an industry unto herself. Noted for her wit and cunning satirical edge, Austen used her subtle gifts to produce works that delicately balanced the pursuit of romance and self-realization with piercing social insight. This updated edition provides a well-rounded critical portrait of this increasingly popular author and includes a chronology.

Raff traces Austen's increasingly libidinal narrative presence, while simultaneously offering analysis of her biography that connects prose and life.