This work of literary and film criticism examines all eight filmed adaptations of Jane Austen's Emma produced between 1948 and 1996 as vastly different interpretations of the source novel. Instead of condemning the movies and television specials as being «not as good as the book, » Marc DiPaolo considers how each adaptation might be understood as a valid «reading» of Austen's text. For example, he demonstrates how the Gwyneth Paltrow film Emma is both a romance and a female coming-of-age story, the 1972 BBC miniseries dramatizes Emma's world as claustrophobic and Emma herself as suffering from depression, and the modern-day teen comedy Clueless comes closest of all to bringing a feminist reading of the novel to the screen. Each version illuminates a different, legitimate way of reading the novel that is rewarding for Austen fans, scholars, and students alike.

From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Emma that makes her beloved tale of an endearingly inept matchmaker an even more satisfying read. Here is the complete text of the novel with more than 2,200 annotations on facing pages, including: - Explanations of historical context - Citations from Austen’s life, letters, and other writings - Definitions and clarifications - Literary comments and analysis - Maps of places in the novel - An introduction, bibliography, and detailed chronology of events - Nearly 200 informative illustrations Filled with fascinating information about everything from the social status of spinsters and illegitimate children to the shopping habits of fashionable ladies to English attitudes toward gypsies, David M. Shapard’s Annotated Emma brings Austen’s world into richer focus.

Om optagelsen af tv-serien "Emma."

The best-selling author of the No. 1 Ladies’ Detective Agency series deftly escorts Jane Austen’s beloved, meddlesome heroine into the twenty-first century in this delightfully inventive retelling. The summer after university, Emma Woodhouse returns home to live with her widowed father and launch her interior design business. Apart from cultivating grand career plans and managing her father’s hypochondria, Emma busies herself with the two things she does best: matchmaking and offering advice on everything from texting etiquette to first date destinations. Happily, this summer presents abundant opportunities for both, as old and new friends are drawn into the sphere of Emma’s counsel: George Knightley, her principled brother-in-law; Frank Churchill, the attractive stepson of her former governess; Harriet Smith, a naïve but enchanting young teacher’s assistant at the local language school; and the perfect (and perfectly vexing) Jane Fairfax. Carriages have been replaced by Mini Coopers and cups of tea by cappuccinos, but Alexander McCall Smith’s sparkling satire and cozy sensibility are the perfect match for Jane Austen’s beloved tale.

- Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.