The latest in the series, this third volume showcases Janice Freegard, Reihana Robinson, and Katherine Liddy, three poets with vastly different yet complementary styles. Freegard writes quirky and often surreal poems about a Wellington inhabited by strange animals, art, and people. Robinson's poems are tropical but gritty, with many set on Pitcairn Island and interspersed with touching lyrics about family and identity in fractured English. Liddy is a promising young poet who has an unusual interest in and an ear for rhyme and rhythm; while some of her poems are texturally dense, she has an impressive range and a pleasing variety.

Lilting bees and unidentifiable birds, long-division problems and continental cornflakes: three remarkable voices arrive in AUP New Poets 8. In AUP New Poets 8, Lily Holloway, Tru Paraha, and Modi Deng come together to produce a volume of remarkable inventions and intoxications. Lily Holloway leads off with her collection 'a child in that alcove,' using an inventive approach to form to lead the reader into the ordinary extraordinary events of daily life, her poetry filling them with dazzle and dread, questions and memories. Then Tru Paraha takes us inside 'my darkling universe'—a world 'perpetually astral' and 'utterly spaghettified,' a poetic universe of unexpected letters and words and forms, where te reo Maori collides with atomic chemistry. Finally, Modi Deng travels through time and space into the lives of Brahms and backpackers, where uneasy conversations between mothers and children, between 'the subjects and myself,' between Beijing and London, provide beauty and solace. Three new voices, three compelling visions, all bound together in AUP New Poets 8.

AUP New Poets 7 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 7 includes substantial selections from the poetry of Rhys Feeney, Ria Masae and Claudia Jardine. From Apia to Parnell, Ancient Rome to dreams of Venus, Aro Park to the furthest reaches of the internet, the poems of Rhys Feeney, Ria Masae and Claudia Jardine take us places &– including the darkest reaches of emotional geographies lit up in startling new ways. Each poet writes with a rich vocabulary and distinct sense of rhythm, as they bring us mutilated barbie dolls, indestructible pumpkins, fat-soluble poisons, jelly-fish, seagulls, eight-tala jugs of cocktails, loom weights, unseasonable journeys, deep-fried bananas, pet rabbits, destructive chickens, scars and tattoos, parataxis and ellipses, instructions on how to make toast, and more, so much more.

Distinctive, fresh and compellingly present, AUP New Poets 10 features three exciting new voices.Looking out from today at a landscape peopled with her tupuna, Tessa Keenan (Te Atiawa) writes poems filled with quiet rage and remarkable lyricism. Meanwhile romesh dissanayake plays with language to explore food, family and edgy romance, from post-war Sri Lanka to Aotearoa. And, at just 20, Sadie Lawrence reveals the excitement and anguish of being young in a complicated world: &‘ My love stands in the laundromat, Sunday best with blistered hands.'

Post-it notes and shopping lists, Japanese monks and children's lungs: AUP New Poets 6 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 6 includes substantial selections from the poetry of Ben Kemp, Vanessa Crofskey and Chris Stewart. We move from Kemp's slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes the form of shopping lists, Post-it Notes, graphs, erasures, a passenger arrival card and even *poetry*, and finally to Chris Stewart's visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time.AUP New Poets 6 is an arresting introduction to the rich diversity of contemporary New Zealand poetry.

In poems by Sarah Lawrence, harold coutts and Arielle Walker, three fresh, vivid voices arrive.In ‘ Clockwatching' , Sarah Lawrence hurtles us into a world full of friends and homes and things, and wonders what they all might leave behind: ‘ If it' s toothache or budget / margarine or perhaps / another world altogether.' harold coutts' ‘ longing' reflects on gender (‘ if gender is a taste i am cutting out my tongue' ), bodies (‘ pubelessness' ) and the rest (‘ there isn' t a manual on when you' re writing someone a love poem and they break up with you' ). And in ‘ river poems' Arielle Walker steps right into the water – because ‘ a poem is a fluid thing all wrapped up in fish skin' – and finds stories of sealskins, harakeke and thistle, kanuka and manuka, alder and elder.Brimming with vivid beauty, the contemporary and the inflections of memory, AUP New Poets 9 shows just what new writing can open up.

In a New Zealand poetry scene overflowing with energy, the return of AUP New Poets introduces three extraordinary new voices.Launched in 1999, AUP New Poets first introduced readers to Anna Jackson, Sonja Yelich, Janis Freegard, Chris Tse and many more significant New Zealand voices. Relaunching this year under the editorship of Anna Jackson and with a bold new look, AUP New Poets 5 includes substantial selections from the poetry of Carolyn DeCarlo, Sophie van Waardenberg and Rebecca Hawkes.In poems about limpets and mangroves, beauty and hunger, ‘love, actually’ and earthquake preparedness, the poets’ work stands out for its fierce intelligence, formal command and dazzling vivacity. AUP New Poets 5 is the perfect introduction to the lively diversity of New Zealand poetry today.