Wonderful, funny junior fiction for children from talented storyteller Jack Lasenby. Ideal for reading aloud, this deliciously wicked romp with Aunt Effie and her crew is guaranteed to entertain and astonish. At every opportunity, the capricious Aunt Effie takes to her beloved bed, and enchants her twenty-six nieces and nephews and six enormous pig dogs with tall tales of beguiling proportions. Enter Mrs Grizzle, a red-haired, doublejointed magician. Nothing is as it seems, and we encounter edible gunpowder, monster pukekos, Pookackodiles and Krockapooks, and is this a removable glass eye? How will Aunt Effie wrap up the captivating story of Mrs Grizzle? And where is the lost treasure?

When Jack visits his grandparents, they tell him stories - each outdoing the other with a tale taller and wilder than the last. When Jack visits his grandparents, there's no television to entertain him. No internet, no mobile phone, no tablets. In fact, there's no technology or modern distractions at all. But he still likes to visit, because Grandad and Granny tell him stories - each trying to outdo the other with a tale taller and wilder than the last. Did you ever hear about the dragon of Waitemata harbour? Or the bridge between the North and South islands? Or why the Beehive is round in shape - and who REALLY made the Marlborough Sounds? And then there's the pumpkin larger than a garden shed, and a wheelbarrow that converts into a boat for a seasick kangaroo. There are lost false teeth, eels and the ingenious invention of the world's first rotary clothesline helicopter . . . and a flying train that touches down at the station in Nelson. With equally wild watercolour illustrations throughout by Bob Kerr, Grandad's Wheelies is a hilarious, rollicking yarn stitching together a picture of life in New Zealand a couple of generations back that is just about true. Jack can't get enough of his Grandad and Granny's stories - and readers young and old will love them too!

The second book in the hilarious and outrageous 'Aunt Effie' series for junior readers. Aunt Effie, dressed in her green canvas invalid's pyjamas, hibernates all winter, leaving her 26 resourceful nieces and nephews to deal with snowstorm and flood, ravening monsters, a barnful of hungry animals and a wild ark-ride over the Vast Untrodden Ureweras. Among the comic cast of cousins are Daisy, whose primness puckers the mouth, Alwyn, who echoes and 'backwardises' the most emphatic statements, and Jack, a junior version of Jack-the-deer-culler Lasenby. There's a horse who acts as a dubiously qualified doctor, a gander who causes the ark to roll, and cows with insomnia - snoring in tune. With his trademark embellishments and wonderful blend of humour, excitement and wacky fun, award-winning writer Jack Lasenby has created another story of mayhem and delight.

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Delta Song, a three-part novel, is set above Vicksburg in the Mississippi Delta on the river. The action takes place with two plantations, Riverside, owned by Abraham Fair, and Green Rivers, owned by Abraham's sister, Vergie Anderson, and in a settlement along the river, informally presided over by Fred Anderson, Vergie's son. Sarah Kingsley, a farm woman, and her family are connected with both plantations. The novel is broken into a series of interconnected novellas, by using page breaks marked by dashes to make it hang together, while reminding readers that it is a kind of symphony, the song of the Delta, of various stories told by Magdalene (Maggie), as she recalled her coming of age in the Delta in light of Fred's death on the eve of the Civil Rights Movement, a time when Maggie, Fred, Father William, and a small group of youngsters virtually carry on their own reformation. The violent and tragic aftermath remind them of their own humanity and teach them their own self-identity. The river setting provides an opportunity for the romantic mysticism and pagan sensuality which runs through the novel. the novel is framed around the opening scene of Maggie's returning to Vicksburg for Fred's funeral, and the closing scene of her recognician of how the river freed him (and implicitly her and Father William). The material is a series of memoirs recalling who Fred was in Maggie's life, and leading to her final flash of recognician. Read this way, the novel becomes a kind of Bildungsroman, in which a young girl grows to womanhood, and then exile, and views her formative experiences from the sad, but liberating, standpoint of her exile. The series of vignettes are echoed to read like music, the song of the Delta.