La referencia goyesca que da título al libro supone un retrato académico y personal del profesor Leonardo Romero, a quien un grupo de colegas y discípulos ofrece esta colección de estudios: compromiso con la investigación filológica y la transmisión del saber de forma permanente. Las aportaciones reunidas abordan líneas de trabajo que él ha seguido con excelencia: para empezar, el siglo XIX, con atención prioritaria al romanticismo y a la novela realista; pero también, a la historiografía de la literatura, los epistolarios y las literaturas del yo, y las relaciones entre lo literario y las artes visuales.

Peterson's Private Secondary Schools is everything parents need to find the right private secondary school for their child. This valuable resource allows students and parents to compare and select from more that 1,500 schools in the U.S. and Canada, and around the world. Schools featured include independent day schools, special needs schools, and boarding schools (including junior boarding schools for middle-school students). Helpful information listed for each of these schools include: school's area of specialization, setting, affiliation, accreditation, tuition, financial aid, student body, faculty, academic programs, social life, admission information, contacts, and more. Also includes helpful articles on the merits of private education, planning a successful school search, searching for private schools online, finding the perfect match, paying for a private education, tips for taking the necessary standardized tests, semester programs and understanding the private schools' admission application form and process.

This intriguing book on Goya concentrates on the closing years of the eighteenth century as a neglected milestone in his life. Goya waited until 1799 to publish his celebrated series of drawings, the Caprichos, which offered a personal vision of the "world turned upside down". Victor I. Stoichita and Anna Maria Coderch consider how themes of Revolution and Carnival (both seen as inversions of the established order) were obsessions in Spanish culture in this period, and make provocative connections between the close of the 1700s and the end of the Millennium. Particular emphasis is placed on the artist's links to the underground tradition of the grotesque, the ugly and the violent. Goya's drawings, considered as a personal and secret laboratory, are foregrounded in a study that also reinterprets his paintings and engravings in the cultural context of his time.

Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.

This book builds upon Stephen J Ball's previous work in the field of education policy analysis. It subjects the ongoing reforms in UK education to a rigorous critical interrogation. It takes as its main concerns the introduction of market forces, managerialism and the National Curriculum into the organization of schools and the work of teachers. Ball argues that these reforms are combining to fundamentally reconstruct the work of teaching, to generate and ramify multiple inequalities and to destroy civic virtue in education. The effects of the market and management are not technical and neutral but are essentially political and moral. The reforms taking place in the UK are both a form of cultural and social engineering and an attempt to recreate a fantasy education based upon myths of national identity, consensus and glory. The analysis is founded within policy sociology and employs both ethnographic and post-structuralist methods.

The second book in an epic six-volume, 3,000 page Trilogy, with achingly beautiful, thought-provoking, thoroughly unique and skillfully crafted collections of poetry, short stories, and romantic verse, that portray the heartfelt and truly profound endeavor as a timeless and deeply memorable wedding of Word and Art . . . A wing-swept journey through the Universe, beginning in the heart of a 'fallen angel' called Ever, as he wanders through the chances and circumstances of humanity, as he drifts within the vast emptiness of his abandonment and exile among the stars, along with all the far-reaching consequences his self-serving pursuit of an ideal has brought to bear upon all Creation, and especially upon his beloved Always, whose tears are the river of this tale . . . A journey that unfolds around his surrender to a spiritual awakening, and ends with his discovery and final embrace of a remarkably simple notion - when fools set out to find what they already possess, they discover only the follies of men . . . born of an ancient yet unremembered legend, a fairy's tale, old as rhyme and even Time itself, captured in the echoes of uncountable voices across the millennia, comes an achingly beautiful love story, wrapped in the mists and myths of a place called Avalon, and whispering of the mysteries and majesties of God . . . A thoroughly unique collection of short stories and lyrical prose, called DoveTales, that weave an amazing trilogy of dreams into the most vibrant threads of faith, courage, and devotion, which are all then so cleverly crafted to become a glorious tapestry of love, loss, and the triumph of love, again . . . as seen through the eyes of Angels, as they peer into the very hearts and souls of those who always seem to search for Glory, when all they really ever need, is Grace . . . And who might enjoy reading this story ? Demographically speaking, any female between the ages of 9 and 90; any male between those very same benchmarks who would like to get to know those females (who now have a remarkably heightened view of themselves after reading it, and a whole new set of standards for those males to measure up to) . . . anyone possessing even a small spark of spiritual insight or inclination, and would be open to considering a vastly simple concept of where they might fit in the grand scheme of things, and the quite attainable realities of their role within it . . . anyone possessing a sense of wonder, and a welcoming regard for a heavenly presence in their world, along with the acknowledgement and embrace of the more compassionate virtues such as patience, tolerance, acceptance and forgiveness, with all respect given to uplifting the human condition beyond measure . . . anyone seeking a remarkably different view of mankind, as it relates to womankind; a dramatically elevated concept regarding the Feminine Ideal and its divine or spiritual significance . . . that will turn all male-dominated religious biases and historically gender-centric portrayals of a woman's place, position or importance in the pantheon of God's cast of characters, on its collective head . . . anyone seeking inspirational, lyrical, romantic, or poetic verse or prose, and wishes to explore alternative expressions of inspired, enlightened, theological, or purpose-driven thought . . . are fully cognizant and accepting of a Christian paradigm of living, and believe that when our creative knowledge embraces our artistic desires, we can achieve global understanding . . .

Given the increasing number of old people, the proliferation of books about old age is hardly surprising. Most of these come from cultural historians or social scientists and, when those with a literary background have tackled the subject, they have largely done so through what are known as period studies. In Blasted with Antiquity, David Ellis provides an alternative. Skipping nimbly from Cicero to Shakespeare, and from Wordsworth to Dickens and beyond, he discusses various aspects of old age with the help of writers across European history who have usually been regarded as worth listening to. Eschewing extended literary analyses, Ellis addresses retirement, physical decay, sex in old age, the importance of family, legacy, wills and nostalgia, as well of course as dying itself. While remaining alert to current trends, his approach is consciously that of the old way of teaching English rather than the new. Whether 'blasted with antiquity' like Falstaff in Henry IV Part Two, or with the 'shining morning face' of an unwilling student, his accessible and witty style will appeal to young and old alike.