Augustine's dialogue De libero arbitrio (On Free Choice) is, with his Confessions and City of God, one of his most important and widely read works. It contains one of the earliest accounts of the concept of 'free will' in the history of philosophy. Composed during a key period in Augustine's early career, between his conversion to Christianity and his ordination as a bishop, it has often been viewed as a an incoherent mixture of his 'early' and 'late'thinking. Simon Harrison offers an original account of Augustine's theory of will, taking seriously both the philosophical arguments and literary form of the text. Relating De libero arbitrio to other key texts of Augustine's, in particular the City of God and the Confessions, Harrison shows that Augustine approaches the problemof free will as a problem of knowledge: how do I know that I am free?, and that Augustine uses the dialogue form to instantiate his 'way into the will'.

Augustine's dialogue De libero arbitrio (On Free Choice) is, with his Confessions and City of God, one of his most important and widely read works. It contains one of the earliest accounts of the concept of 'free will' in the history of philosophy. Composed during a key period in Augustine's early career, between his conversion to Christianity and his ordination as a bishop, it has often been viewed as a an incoherent mixture of his 'early' and 'late' thinking. Simon Harrison offers an original account of Augustine's theory of will, taking seriously both the philosophical arguments and literary form of the text. Relating De libero arbitrio to other key texts of Augustine's, in particular the City of God and the Confessions, Harrison shows that Augustine approaches the problem of free will as a problem of knowledge: how do I know that I am free?, and that Augustine uses the dialogue form to instantiate his 'way into the will'.

"By analyzing a variety of texts from across Augustine's career, Augustine on the Will: A Theological Account traces the development of Augustine's thinking on the human will. Augustine's most creative contributions to the notion of the human will do not derive from articulating a monolithic, universal definition. He identifies four types of human will: the created will, which he describes as a hinge; the fallen will, a link in a chain binding human beings to sin; the redeemed will, which is a root of love; and the fully free will to be enjoyed in the next life when perfection is made complete. His mature view is "theologically differentiated," consisting of four distinct types of human will, which vary according to these diverse theological scenarios. His innovation consists in distinguishing these types with a detail and clarity unprecedented by any thinker before him. Augustine's mature view of the will is constructed in intensive dialogue with other Christian thinkers, and, most of all, with the Christian scriptures. Its basic features shape, and are shaped by, his doctrines of Christ and the Holy Spirit, as well as creation and grace, making it impossible to abstract his views on willing from his account of the central Christian doctrines of Christology, Pneumatology, and the Trinity. The multiple facets of Augustine's conception of will have been cut to fit the shape of his theology and the biblical story it seeks to describe. From Augustine, we inherit a theological account of the will. Augustine Will Free will Voluntas Uoluntas Grace Fall creation eschaton Christ"--

This volume announces a new era in the philosophy of God. Many of its contributions work to create stronger links between the philosophy of God, on the one hand, and mathematics or metamathematics, on the other hand. It is about not only the possibilities of applying mathematics or metamathematics to questions about God, but also the reverse question: Does the philosophy of God have anything to offer mathematics or metamathematics? The remaining contributions tackle stereotypes in the philosophy of religion. The volume includes 35 contributions. It is divided into nine parts: 1. Who Created the Concept of God; 2. Omniscience, Omnipotence, Timelessness and Spacelessness of God; 3. God and Perfect Goodness, Perfect Beauty, Perfect Freedom; 4. God, Fundamentality and Creation of All Else; 5. Simplicity and Ineffability of God; 6. God, Necessity and Abstract Objects; 7. God, Infinity, and Pascal’s Wager; 8. God and (Meta-)Mathematics; and 9. God and Mind.

A Companion to Augustine presents a fresh collection of scholarship by leading academics with a new approach to contextualizing Augustine and his works within the multi-disciplinary field of Late Antiquity, showing Augustine as both a product of the cultural forces of his times and a cultural force in his own right. Discusses the life and works of Augustine within their full historical context, rather than privileging the theological context Presents Augustine’s life, works and leading ideas in the cultural context of the late Roman world, providing a vibrant and engaging sense of Augustine in action in his own time and place Opens up a new phase of study on Augustine, sensitive to the many and varied perspectives of scholarship on late Roman culture State-of-the-art essays by leading academics in this field

In Reason, Authority, and the Healing of Desire in the Writings of Augustine, Mark Boone explains the theology of desire developed in a cross-section of Augustine’s On the True Religion, On the Nature of Good, On Free Choice of the Will, On the Teacher, On the Usefulness of Believing, On the Good of Marriage, Enchiridion, and Confessions. Throughout his writings and in many ways, Augustine develops a Platonically informed, yet distinctively Christian, account of desire. Human desire should respond to the goodness inherent in things, loving the greatest good above all and great goods more than lesser goods. Above all, we should love God and souls. Sin, an inappropriate desire for lesser goods, is healed by the redemption of Christ.

While he is more commonly known for his Trinitiarian works and theology, this study assesses mid-fourth-century bishop Hilary of Poitiers' view of the human condition. Isabella Image shows that the Commentary on Psalm 118 is more closely related to Origen's than previously thought. Image explains how his articulations of sin, body and soul, the Fall and the will all parallel or echo Origen's views in this work, but not necessarily in his Matthew Commentary. Hilary has a doctrine of original sin ('sins of our origin', peccata originis), which differs from the individual personal sins and for which we are individually accountable. He also articulates a fallen will which is in thrall to disobedience and needs God's help, something God always gives as long as we show the initiative. Hilary's idea of the fallen will may have developed in tangent with Origen's thought, which uses Stoic ideas on the process of human action in order to articulate the constraints on purely rational responses. Hilary in turn influences Augustine, who writes against the Pelagian bishop Julian of Eclanum citing Hilary as an example of an earlier writer with original sin. Since Hilary is known to have used Origen's work, and Augustine is known to have used Hilary's, Hilary appears to be one of the stepping-stones between these two great giants of the early church as the doctrines of original sin and the fallen will developed. The Human Condition in Hilary of Poitiers not only identifies Hilary's anthropological thought, but also places it in the current of theological development of the fourth century. It considers reception of Origen in the mid-fourth century, before the criticisms of Epiphanius and the debates in the Egyptian monastic communities. This work also contributes to understanding of the tradition from which Augustine received his doctrine of original sin.