This volume, entitled Augustine: Mystic and Mystagogue, studies the origins of Augustine's mystical writings, analyzing texts in which Augustine describes his own anagogic experiences and mysticism in general, and demonstrating the influence of Augustine's mystical analyses on later writers. The book is divided into four parts. In the Introduction, the editors posit critical questions concerning the nature of mysticism and present a monograph from the mid-1930's in English translation, wherein the author critiques many ascensional passages in Augustine. In the section on Augustine as Mystic, eight authors assess Augustine's descriptions of his own ascents-of-mind, and his generalizations upon them. In the section on the influence of Augustine's mysticism, ten authors examine the sway exercised by Augustine over medieval mystical writings. Finally, in the Conclusion, the editors of this volume express their own judgments concerning Augustine as both mystic and mystagogue and present the assessments of two other authors.

Augustine's vision at Ostia is one of the most influential accounts of mystical experience in the Western tradition, and a subject of persistent interest to Christians, philosophers and historians. This book explores Augustine's account of his experience as set down in the Confessions and considers his mysticism in relation to his classical Platonist philosophy. John Peter Kenney argues that while the Christian contemplative mysticism created by Augustine is in many ways founded on Platonic thought, Platonism ultimately fails Augustine in that it cannot retain the truths that it anticipates. The Confessions offer a response to this impasse by generating two critical ideas in medieval and modern religious thought: firstly, the conception of contemplation as a purely epistemic event, in contrast to classical Platonism; secondly, the tenet that salvation is absolutely distinct from enlightenment.

This book introduces Augustine of Hippo and his influence on Christian theology. Part One works through all thirteen books of the Confessions, introducing the life and thought of the bishop of Hippo with commentary on frequent but brief quotations. The Confessions reveal Augustine’s major doctrinal concerns, some of them explicitly and thoroughly (such as the Manichees, Platonists, scripture), others implicitly (monasticism, Donatism, ministry), and some in passing (Trinity) or as a preview (Pelagians). Part Two sketches the medieval reception of the Augustinian theological legacy, not chronologically but topically, in the order of the concerns in the Confessions, such as original sin, St. Monica, medieval Manichees, monastic communities, new Donatists, Neo-Platonism, the introspective soul, symbolic scripture, the Trinity, and above all the recurring Pelagian controversies over free will and grace, election and predestination, that continued into the Reformation.

In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirituality that deeply informed all of his production.

In 1695, Louis Sébastien, Le Nain de Tillemont completed volume 13 of his Mémoire ecclésiastique, a work of 1200 pages published posthumously in 1700. This was the first modern biography of Augustine, and the most comprehensive of all Augustinian biographies. This English translation has been divided into three volumes.

This volume in honour of Prof. Dr. Johannes van Oort offers a rich variety of in-depth studies on Augustine, Manichaeism, and other Gnostic currents, thus reflecting the rich variety of the honorand’s research interests.