Aubrey, Evan, and the Hurricane, tells a story about two kids who evacuate with their parents during a storm. They're scared, worried and sad when they discover parts of their home and some of their favorite toys were destroyed. But they quickly learn what's really important - their safety! Author Jennifer Bauer and her family evacuated their Florida home when Hurricane Irma threatened the area in September, 2017. She was worried and unsure how to talk to her kids about the uncertainty of the pending storm; Bauer looked for a book to help start the conversation but couldn't find one. So, she wrote one. Bauer wants Aubrey, Evan, and the Hurricane to help parents make a scary conversation easier. Hopefully, it will also ease the fears and prepare other kids who find themselves in similar situations.

The New York Times bestseller from master biographer Evan Thomas brings to life the tumultuous story of the father of the American Navy. John Paul Jones, at sea and in the heat of the battle, was the great American hero of the Age of Sail. He was to history what Patrick O’Brian’s Jack Aubrey and C.S. Forester’s Horatio Hornblower are to fiction. Ruthless, indomitable, clever; he vowed to sail, as he put it, “in harm’s way.” Evan Thomas’s minute-by-minute re-creation of the bloodbath between Jones’s Bonhomme Richard and the British man-of-war Serapis off the coast of England on an autumn night in 1779 is as gripping a sea battle as can be found in any novel. Drawing on Jones’s correspondence with some of the most significant figures of the American Revolution—John Adams, Benjamin Franklin, Thomas Jefferson—Thomas’s biography teaches us that it took fighters as well as thinkers, men driven by dreams of personal glory as well as high-minded principle, to break free of the past and start a new world. Jones’s spirit was classically American.

Aubrey and Maturin are caught in the outbreak of the War of 1812.

The mere absence of war is not peace (John F. Kennedy). That is the premise of “The Late Unpleasantness”, a post-Civil War novel whose title derives from a common reference by genteel folk of the time to the war that left over 600,000 dead. Through the experiences of survivors, the story evolves within Camp Douglas, a Confederate prisoner of war camp located in Chicago, the Andersonville prisoner of war camp in Georgia, and the fictitious town of Mission, Wyoming. Dubbed the “Andersonville of the North”, Camp Douglas easily matched the brutality of its Southern counterpart and nearly six thousand soldiers of the Confederacy died there. Maura Spencer, a nurse from Chicago, cannot favor a side in a conflict between her countrymen and so tends to the inmates of Camp Douglas. Peace, when it finally arrives, holds little interest for her and she is unable to see to a season beyond the war. Aubrey Cameron, a captured Confederate soldier from North Carolina, is singled out for especially cruel treatment by his Camp Douglas captors and left to survive the peace bearing the scars of his internment. Like others of the era, Aubrey and Maura become part of the westward migration. In the fledgling town of Mission they join a fragile nucleus of veterans. Although this novel is focused on the Civil War period its messages are germane to the war experience in general and to the understanding that coming home from battle is a journey best taken in the company of others and not achieved merely by boarding a train.

“A thematically rich and riveting futuristic tale.” —Kirkus Reviews “A fresh look at the scary and exhilarating role AI may play in our future. Speculative Sci-fi at its best. Highly recommended.” —Chanticleer Reviews Twenty-one years after fleeing Earth due to a genetic plague that decimated the population, the Galileo Colony Ship Kutanga arrives at Gaia, an Earth-like world in the Alpha Centauri system. The ship carries the memories and DNA of 4,492 human survivors and Aneni, the ship’s AI commander, is on a mission to save them. But she has a problem—instead of finding an uninhabited world, devoid of intelligent life and ready to receive her precious cargo, she finds a planet populated by ten’s of millions of people. The people of Gaia are primitive by Earth standards, with most living simple, agrarian lives in small towns and villages. Some are even less advanced—surviving as nomadic hunter-gatherers. The four races have little contact with one another, but all share a common legend of a fifth race that once lived among them. The fifth race was an inquisitive species and, as their knowledge grew, so too did their hubris and cruelty. They enslaved millions and brought destruction and war to a world that had previously known only harmony and peace. And they would have done far worse, were it not for the Creators. Aneni faces increasingly difficult choices as she explores this new world: Does she establish a human colony on Gaia and complete her mission? Or does she leave Gaia to its native inhabitants as the mysterious Creators intended? Her decision may mean the survival of one species and the destruction of another.

Some feelings can't be hidden and some can get you killed. FBI agent Dominic Colton never mixes business with pleasure. Until he falls into bed with Samantha Evans, his prime suspect’s daughter. With his cover blown and Sami justifiably angry, Dom is shocked that she's still willing to help. She even suggests the perfect ploy to bring her father to justice. But going undercover also brings Dom and Sami closer…which is far more dangerous. From Harlequin Romantic Suspense: Danger. Passion. Drama. Feel the excitement in these uplifting romances, part of The Coltons of Colorado series: Book 1: Colton's Pursuit of Justice by Marie Ferrarella Book 2: Snowed In With a Colton by Lisa Childs Book 3: Colton's Dangerous Reunion by Justine Davis Book 4: Stalking Colton's Family by Geri Krotow Book 5: Undercover Colton by Addison Fox Book 6: Colton Countdown by Tara Taylor Quinn Book 7: Colton's Secret Sabotage by Deborah Fletcher Mello Book 8: Colton's Baby Motive by Lara Lacombe Book 9: Colton's Rogue Investigation by Jennifer D. Bokal

This is an American novel of formed chaos playfully enacting the centrality of language in late twentieth-century art and life through the voices of two women steeped in Western traditions, one telling the story of her restoration of an ante-bellum house on the Florida Gulf Coast, the other faithfully recording it but running culturally wild in the process. In both literal and extended senses, The Restorationist is a mystery, with attendant bafflements, horrors, attempts to get to the bottom of things: mayhem and murder; artifices of trivialization by media, our technological doubles; arrangements of power in communities and in texts; signs and selves.