Sex Au Naturel: What It Is and Why It's Good For Your Marriage by radio host Patrick Coffin is a bracing ride across the landscape of the Catholic sexual ethic. If you're looking for intellectual ammo with which to defend and explain the teaching of Humanae Vitae, or if you reject it altogether, you'll agree that Coffin approaches the topic from a wide array of new and persuasive angles. With humor and enthusiasmand a total absence of moralizingyou'll learn: Why Paul VI's landmark 1968 encyclical was widely rejected a generation ago and why it's gaining new respectability now Where exactly the Bible teaches against birth control The differences between contraception and natural family planning (hint: they're more profound than you think) The meaning of the natural law and how it applies to birth control How the dogma of the Blessed Trinity implicit condemns birth control That every single Protestant denomination rejected birth control until 1930 Why the myth of overpopulation is used against the Church, and how to answer it How faithful adherence to the teaching of Humanae Vitae is causally related to marital happiness and longevity Why it's not too late to start over, even if you've been sterilized How to rely on the ever-present grace of God rather than your own strength in faithfully following this challenging, life-giving aspect of Christian discipleship Much, much more!

Dr. James Woycke spent more than a decade researching the history of Canadian nudism form Newfoundland to Vancouver island and in the USA. Dr. Woycke, a history professor at the University of Western Ontario, reviewed nearly a century of magazines, records and correspondence of nudist clubs and organizations. In addition to those thousands of documents, he interviewed dozens of naturists from Canadian and Canadian-American clubs. The result is a fascination look into the often controversial development of nudism as it challenged Canadian legal and social norms.

Does art have a sex? A study of Sarah Lucas's famous assemblage of objects that suggest male and female body parts.

The most thorough survey of the provocative British artist, sculptor, and photographer, Sarah Lucas, one of the most important living British artists Sarah Lucas, having emerged in the UK in the late 1980s alongside artists including Tracey Emin and Damien Hirst, gained notoriety for her bawdy and irreverent sculptures. Often using found objects, Lucas provokes viewers with works that challenge our notions of gender, sexuality, and identity. Featuring eight essays and an interview with the artist, this volume reveals the breadth and complexity of Lucas's work in sculpture, photography, and installation over the past three decades.

Literary naturalism, within the Hispanic context, has traditionally been read as a graphic realist school or movement linked predominantly to late nineteenth century literary production. The essays in Au Naturel: (Re)Reading Hispanic Naturalism—written by scholars from different generations, nationalities and ideological backgrounds—propose a major revisionist contribution to the study of Hispanic naturalism. Based on a theoretical proposal that re-semanticizes naturalismo as a diachronic counter-metanarrative phenomenon that transcends the chronological and geographic limitations imposed by traditional criticism on naturalism, the collection provides new readings of traditional naturalist fare as well as re-readings of works that have not been read, within the bounds of conventional criticism, as naturalist. Re-read within the proposed theoretical framework, its essays demonstrate the countless ways in which Hispanic naturalist texts–literary and more recently, filmic—continue to frankly engage the societal problematics that has impeded true social, political, economic and cultural progress from taking place in the Hispanic world from the turbulent fin-de-siècle period of the nineteenth century through the present day, globalized context. Au Naturel: (Re)Reading Hispanic Naturalism is thus also an open invitation to the scholarly community to re-consider other socio-critical works within the Hispanic naturalist context that observe and reflection upon social issues that continue to plague Hispanic society today.

Each year in France approximately 1.5 million people practice naturisme or "naturism," an activity more commonly referred to as "nudism." Because of France's unique tolerance for public nudity, the country also hosts hundreds of thousands of nudists from other European nations, an influx that has contributed to the most extensive infrastructure for nude tourism in the world. In Au Naturel, historian Stephen L. Harp explores how the evolution of European tourism encouraged public nudity in France, connecting this cultural shift with important changes in both individual behaviors and collective understandings of the body, morality, and sexuality. Harp's study, the first in-depth historical analysis of nudism in France, challenges widespread assumptions that "sexual liberation" freed people from "repression," a process ostensibly reflected in the growing number of people practicing public nudity. Instead, he contends, naturism gained social acceptance because of the bodily control required to participate in it. New social codes emerged governing appropriate nudist behavior, including where one might look, how to avoid sexual excitation, what to wear when cold, and whether even the most modest displays of affection -- -including hand-holding and pecks on the cheek -- were permissible between couples. Beginning his study in 1927 -- when naturist doctors first advocated nudism in France as part of "air, water, and sun cures" -- Harp focuses on the country's three earliest and largest nudist centers: the Île du Levant in the Var, Montalivet in the Gironde, and the Cap d'Agde in Hérault. These places emerged as thriving tourist destinations, Harp shows, because the municipalities -- by paradoxically reinterpreting inde-cency as a way to foster European tourism to France -- worked to make public nudity more acceptable. Using the French naturist movement as a lens for examining the evolving notions of the body and sexuality in twentieth-century Europe, Harp reveals how local practices served as agents of national change.

Each year in France approximately 1.5 million people practice naturisme or "naturism," an activity more commonly referred to as "nudism." Because of France's unique tolerance for public nudity, the country also hosts hundreds of thousands of nudists from other European nations, an influx that has contributed to the most extensive infrastructure for nude tourism in the world. In Au Naturel, historian Stephen L. Harp explores how the evolution of European tourism encouraged public nudity in France, connecting this cultural shift with important changes in both individual behaviors and collective understandings of the body, morality, and sexuality. Harp's study, the first in-depth historical analysis of nudism in France, challenges widespread assumptions that "sexual liberation" freed people from "repression," a process ostensibly reflected in the growing number of people practicing public nudity. Instead, he contends, naturism gained social acceptance because of the bodily control required to participate in it. New social codes emerged governing appropriate nudist behavior, including where one might look, how to avoid sexual excitation, what to wear when cold, and whether even the most modest displays of affection -- -including hand-holding and pecks on the cheek -- were permissible between couples. Beginning his study in 1927 -- when naturist doctors first advocated nudism in France as part of "air, water, and sun cures" -- Harp focuses on the country's three earliest and largest nudist centers: the Île du Levant in the Var, Montalivet in the Gironde, and the Cap d'Agde in Hérault. These places emerged as thriving tourist destinations, Harp shows, because the municipalities -- by paradoxically reinterpreting inde-cency as a way to foster European tourism to France -- worked to make public nudity more acceptable. Using the French naturist movement as a lens for examining the evolving notions of the body and sexuality in twentieth-century Europe, Harp reveals how local practices served as agents of national change.