Atunis Galaxy Anthology 2020. A collection of world poets. Editor in chief: Agron Shele. A unique collection of modern poetry.

'Realm of Poems' is a literary conglomerate of international repute. 'Psithurism', its second anthology in a series planned by the group, brings literary scholars from all walks of life across the globe. This union is for the promulgation of poetry and literature as a whole. The apt creativity from culturally and socially different literaries and poets is centralized upon bringing them together, within the ambit of one huge family. Poetries of all genres, forms that touch upon the concept of 'variety' in writings, are a hallmark of the anthology. Life presents itself in its myriad complexities that are a harbinger of profound display of emotions. In its simplest of forms, one such display is through poetry. In this context, 'Psithurism' touches upon sensitivities of the human mind with great elan. It being a marvel of poetic insights, happens to be a 'must read' for all poetry lovers.

In Mustard Earring, emotions and logic intertwine as the book delves into the themes of personal values, inner struggles, anxieties, and unfortunate circumstances. While the narrative primarily takes place in the past, it also sheds light on hidden truths and realities, making for a sensitive and thought-provoking read. The book explores the search for happiness and comfort in a world filled with injustice and unaccountable actions. Through the author’s perspective, readers will gain insight into the objects of desire that shape our lives and the way we perceive the world around us.

Why did Nietzsche claim to have "written in blood"? Why did Heidegger remain silent after World War II about his participation in the Nazi Party? How did Hölderlin's voice and the voices of other, more ancient poets come to echo in philosophy? Words in Blood, Like Flowers is a classical expression of continental philosophy that critically engages the intersection of poetry, art, music, politics, and the erotic in an exploration of the power they have over us. While focusing on three key figures—Hölderlin, Nietzsche, and Heidegger—this volume covers a wide range of material, from the Ancient Greeks to the vicissitudes of the politics of our times, and approaches these and other questions within their hermeneutic and historical contexts. Working from primary texts and a wide range of scholarly sources in French, German, and English, this book is an important contribution to philosophy's most ancient quarrels not only with poetry, but also with music and erotic love.

The poems in Shadows of Death and other poems epitomize life in the developing countries like Malawi. The selection of poems in this book represents a celebration of Africa's culture as perceived by the author. They portray life as the natives and others

The Dance of the Peacock, focused as it is on poetry in English by Indians and diasporic Indians, is also a celebration of diversity. This anthology is a brave attempt to capture something of the Indian English global poetry scene at this moment in time. It does not pretend to be a comprehensive collection; rather it is a genuine and rewarding sampler for the reader who would like an introduction to its riches. Dr. Debjani Chatterjee, MBE Sheffield, UK Editor of the renowned poetry collections, The Redbeck Anthology of British South Asian Poetry (Redbeck Press) and Masala: Poems from India, Bangladesh, Pakistan and Sri Lanka (Macmillan) The Dance of the Peacock is a diverse collection of contemporary English poetry from Indian. The 151 poets represented in this book hail from the many different states of India as well as from the United Kingdom, United States and Canada. The poets between these covers range in age from 15 to 92. It is rare that one will find a more diverse collection of poets representing Indo-English poetry.

Not Even Laughter is one of the most assured first collections I have read in a long time. The tightly controlled lines, rich with detail, surprise in their unfolding, transforming the commonplace into something otherworldly.-Gerard Beirne. "Phillip Crymble is a rueful and reluctant lyricist, a poet who assures us It doesn't mean that much to me. It doesn't.' And yet the poems' economy of utterance and eloquent plainness make clear that it does."ichard Tillinghast.