From tenth-century South India to twenty-first-century cultural events, from the court assemblies to the public space: Attentive Minds takes you on a journey through the fascinating world of avadhāna, a complex and long-living performative art of India whose practitioners showcase highly developed cognitive skills (like attention, ability to multitask, memory) and specialized knowledge. With the help of epigraphic and literary sources and field research, Hermina Cielas reconstructs avadhāna’s history in its socio-cultural context and provides a detailed systematization of the art. Her multifaceted study investigates the cultural phenomenon scarcely known outside of India. It explores avadhāna’s multiple forms, from games and puzzles, through a display of mnemonic or motor skills, to multilingual literary feasts.

Cutting across distinctions of schools and types, the author explains the central feature of Kashmir Saivism: the creative pulse of the all-pervasive Consciousness called Siva. This is also the central theme of the Hindu Tantras, and Dyczkowski provides new insight into the most literate and extensive interpretations of the Tantras. This book is significant from four points of view. First, it breaks new ground in Indian philosophy. According to the Spanda Doctrine, the self is not simply witnessing consciousness as maintained by Sankhya and Vedanta, but is an active force. Second, the ultimate reality is not simply a logical system of abstract categories, but is living, pulsating energy, the source of all manifestation. Third, the work elaborates the dynamic aspect of consciousness. It supplies an excellent introduction to the texts and scriptures of Kashmir Saivism. Fourth, it suggests a Yoga for the realization of self.

This Volume, The First To Appear In The Ten Volume Series Published By The Sahitya Akademi, Deals With A Fascinating Period, Conspicuous By The Growing Complexities Of Multilingualism, Changes In The Modes Of Literary Transmission And In The Readership And Also By The Dominance Of The English Language As An Instrument Of Power In Indian Society.

A well-known Sanskrit drama presented here in a bilingual translation.

These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.