Modern technology has brought some new twists and turns to horror. Found footage, cell phone-based viruses, literal ghosts in the machines but maybe it's time for a throwback. It's time for some new tales of slumber party horrors, VCR monsters, and problems that can't be solved with a smart phone. We want tales of unstoppable monsters, sewer-dwelling creatures, looming threats of cold-war chaos. Give us fear under the neon lights of an arcade, people fighting for their lives against the backdrop of a hot city night and a cheesy sax solo. Take us back to a time when latchkey kids had to fend for themselves and the only thing left to stop an unspeakable horror was a plucky band of high school kids. Make it bloody. Make it gnarly. Make it 80s! Featuring over 20 Bram Stoker Award winning and Best Selling Authors such as Joe R. Lansdale, Kasey Lansdale, Weston Ochse, Lisa Morton, Grady Hendrix, Tim Waggoner, Christina Sng, Stephanie M. Wytovich, Jess Landry, Vince Liaguno, F. Paul Wilson, John Skipp, Linda D Addison and many more. "Reading Attack from the '80s brings on a nostalgia tinged with blood. It's like being impaled on a time machine and dragged through sickly houses haunted by serial killers, spooky fairgrounds where kids vanish, woodlands stalked by unnameable beasts ... and it is wonderful. I'm in my teens again, and the horrors are more terrifying than ever." -Tim Lebbon, author of Eden "Attack from the '80s sends us rollicking back into the pop culture madness of that genre, and does it with creeps, fun, and great storytelling from today's top horror writers!" -Jonathan Maberry, NY Times bestselling author of Ink and Rot & Ruin "Deliriously, deliciously gruesome, Attack from the '80s is a treat for horror fans looking for the hard stuff. An all-star lineup of writers inspired by that gnarliest of decades. Rad!" -David Wellington, Marvel Zombies, Monster Island Table of Contents Introduction by Mick Garris Top Guns of the Frontier by Weston Ochse Snapshot by Joe R. Lansdale and Kasey Lansdale The Devil in the Details by Ben Monroe Return of the Reanimated Nightmare by Linda Addison Taking the Night Train by Thomas F. Monteleone Catastrophe Queens by Jess Landry Your Picture Here by John Skipp Permanent Damage by Lee Murray Slashbacks by Tim Waggoner Munchies by Lucy A. Snyder Ten Miles of Bad Road by Stephen Graham Jones Epoch, Rewound by Vince A. Liaguno Demonic Denizens by Cullen Bunn The White Room by Rena Mason Ghetto Blaster by Jeff Strand Haddonfield, New Jersey 1980 by Cindy O'Quinn When He Was Fab by F. Paul Wilson Welcome to Hell by Christina Sng Perspective: Journal of a 1980s Mad Man by Mort Castle Mother Knows Best by Stephanie M. Wytovich Stranger Danger by Grady Hendrix The Garden of Dr. Moreau by Lisa Morton

The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.

An inspiring, unique account of 1980s fashion and culture, as seen on the deeply influential, subversive pages of BLITZ, the pioneering '80s style magazine.

In this engaging new book, Bradford Martin illuminates a different 1980s than many remember—one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and ‘70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right. Martin paints an indelible portrait of these and other influential, but often overlooked, movements: from on-the-ground efforts to constrain the administration's aggressive Latin American policy and stave off a possible Nicaraguan war, to mock shanties constructed on college campuses to shed light on corporate America's role in supporting the apartheid regime in South Africa. The result is a clearer, richer perspective on a turbulent decade in American life.

Now sufferers can attack panic--before it attacks them. This seven-step, drug-free program--written jointly by a physician and a recovered sufferer--explains what goes on in the body when panic disorder strikes, and how it can be controlled. With behavioral techniques, fitness and nutrition plans, and inspiring, encouraging true stories, this book brings new hope to people with panic disorder, agoraphobia, and other anxiety-related conditions.

The Korean War (1950-1953) was the first - and only - full-scale air war in the jet age. It was in the skies of North Korea where Soviet and American pilots came together in fierce aerial clashes. The best pilots of the opposing systems, the most powerful air forces, and the most up-to-date aircraft in the world in this period of history came together in pitched air battles. The analysis of the air war showed that the powerful United States Air Force and its allies were unable to achieve complete superiority in the air and were unable to fulfill all the tasks they'd been given. Soviet pilots and Soviet jet fighters, which were in no way inferior to their opponents and in certain respects were even superior to them, was the reason for this. The combat experience and new tactical aerial combat tactics, which were tested for the first time in the skies of Korea, have been eagerly studied and applied by modern air forces around the world today. This book fully discusses the Soviet participation in the Korean War and presents a view of this war from the opposite side, which is still not well known in the West from the multitude of publications by Western historians. The reason for this, of course, is the fact that Soviet records pertaining to the Korean War were for a long time highly classified, since Soviet air units were fighting in the skies of North Korea "incognito", so to speak or even more so to write about this was strictly forbidden in the Soviet Union right up to its ultimate collapse. The given work is in essence the first major work in the post-Soviet era. First published in a small edition in Russian in 1998, it was republished in Russia in 2007. For the first time, the Western reader can become acquainted with the most detailed and informative work existing on the course of the air war from the Soviet side, now in English language. The work rests primarily on the recollections of veterans of this war on the so-called 'Red' side - Soviet fighter pilots, who took direct part in this war on the side of North Korea. Their stories have been supplemented with an enormous amount of archival documents, as well as the work of Western historians. The author presents a literal day-by-day chronicle of the aerial combats and combat work of Soviet fighter regiments in the period between 1950 and 1953, and dedicates this work to all the men on both sides who fought and died in the Korean air war.

Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.