This Civil War history and guide presents an engaging chronicle of the Battle of Shiloh with information and insights about the Tennessee battlefield. The Union Army of the Tennessee, commanded by Major General Ulysses S. Grant, had gathered on the banks of its namesake river at a spot called Pittsburg Landing, ready to strike deep into the heart of Tennessee Confederates, commanded by General Albert Sidney Johnston. Johnston’s troops were reeling from setbacks earlier in the year and had decided to reverse their fortunes by taking the fight to the Federals. Johnston planned to attack them at daylight and drive them into the river. As a brutal fight ensued, Grant gathered reinforcements and planned a counteroffensive. On the morning of April 7, he initiated his own bloody daybreak attack. The horrors of this two-day battle exceeded anything America had ever known in its history. Historian Greg Mertz grew up on the Shiloh battlefield, hiking its trails and exploring its fields. Attack at Daylight and Whip Them taps into five decades of intimate familiarity with a battle that rewrote America’s notions of war.

Composed almost entirely of Midwesterners and molded into a lean, skilled fighting machine by Ulysses S. Grant and William Tecumseh Sherman, the Army of the Tennessee marched directly into the heart of the Confederacy and won major victories at Shiloh and at the rebel strongholds of Vicksburg and Atlanta.Acclaimed historian Steven Woodworth has produced the first full consideration of this remarkable unit that has received less prestige than the famed Army of the Potomac but was responsible for the decisive victories that turned the tide of war toward the Union. The Army of the Tennessee also shaped the fortunes and futures of both Grant and Sherman, liberating them from civilian life and catapulting them onto the national stage as their triumphs grew. A thrilling account of how a cohesive fighting force is forged by the heat of battle and how a confidence born of repeated success could lead soldiers to expect “nothing but victory.”

Winner of the 1988 Pulitzer Prize for History and a New York Times Bestseller, Battle Cry of Freedom is universally recognized as the definitive account of the Civil War. It was hailed in The New York Times as "historical writing of the highest order." The Washington Post called it "the finest single volume on the war and its background." And The Los Angeles Times wrote that "of the 50,000 books written on the Civil War, it is the finest compression of that national paroxysm ever fitted between two covers." Now available in a splendid new edition is The Illustrated Battle Cry of Freedom. Boasting some seven hundred pictures, including a hundred and fifty color images and twenty-four full-color maps, here is the ultimate gift book for everyone interested in American history. McPherson has selected all the illustrations, including rare contemporary photographs, period cartoons, etchings, woodcuts, and paintings, carefully choosing those that best illuminate the narrative. More important, he has written extensive captions (some 35,000 words in all, virtually a book in themselves), many of which offer genuinely new information and interpretations that significantly enhance the text. The text itself, streamlined by McPherson, remains a fast-paced narrative that brilliantly captures two decades of contentious American history, from the Mexican War to Lee's surrender at Appomattox. The reader will find a truly masterful chronicle of the war itself--the battles, the strategic maneuvering on both sides, the politics, and the personalities--as well as McPherson's thoughtful commentary on such matters as the slavery expansion issue in the 1850s, the origins of the Republican Party, the causes of secession, internal dissent and anti-war opposition in the North and the South, and the reasons for the Union's victory. A must-have purchase for the legions of Civil War buffs, The Illustrated Battle Cry of Freedom is both a spectacularly beautiful volume and the definitive account of the most important conflict in our nation's history.

James M. McPherson is acclaimed as one of the finest historians writing today and a preeminent commentator on the Civil War. Battle Cry of Freedom, his Pulitzer Prize-winning account of that conflict, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." Now, in Drawn With the Sword, McPherson offers a series of thoughtful and engaging essays on some of the most enduring questions of the Civil War, written in the masterful prose that has become his trademark. Filled with fresh interpretations, puncturing old myths and challenging new ones, Drawn With the Sword explores such questions as why the North won and why the South lost (emphasizing the role of contingency in the Northern victory), whether Southern or Northern aggression began the war, and who really freed the slaves, Abraham Lincoln or the slaves themselves. McPherson offers memorable portraits of the great leaders who people the landscape of the Civil War: Ulysses S. Grant, struggling to write his memoirs with the same courage and determination that marked his successes on the battlefield; Robert E. Lee, a brilliant general and a true gentleman, yet still a product of his time and place; and Abraham Lincoln, the leader and orator whose mythical figure still looms large over our cultural landscape. And McPherson discusses often-ignored issues such as the development of the Civil War into a modern "total war" against both soldiers and civilians, and the international impact of the American Civil War in advancing the cause of republicanism and democracy in countries from Brazil and Cuba to France and England. Of special interest is the final essay, entitled "What's the Matter With History?", a trenchant critique of the field of history today, which McPherson describes here as "more and more about less and less." He writes that professional historians have abandoned narrative history written for the greater audience of educated general readers in favor of impenetrable tomes on minor historical details which serve only to edify other academics, thus leaving the historical education of the general public to films and television programs such as Glory and Ken Burns's PBS documentary The Civil War. Each essay in Drawn With the Sword reveals McPherson's own profound knowledge of the Civil War and of the controversies among historians, presenting all sides in clear and lucid prose and concluding with his own measured and eloquent opinions. Readers will rejoice that McPherson has once again proven by example that history can be both accurate and interesting, informative and well-written. Mark Twain wrote that the Civil War "wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations." In Drawn With the Sword, McPherson gracefully and brilliantly illuminates this momentous conflict.

What essential leadership lessons do we learn by distilling the actions and ideas of great military commanders such as George Washington, Dwight D. Eisenhower, and Colin Powell? The Art of Command demonstrates that great leaders become great through a commitment not only to develop vital skills but also to surmount personal shortcomings. In the second edition of this classic resource, Harry S. Laver, Jeffrey J. Matthews, and the other contributing authors identify eleven core characteristics of highly effective leaders, such as integrity, determination, vision, and charisma, and eleven significant figures in American military history who embody those qualities. Featuring new chapters on transitional leadership, innovative leadership, and authentic leadership, this insightful book offers valuable perspectives on the art of military command in American history.