The train was late, and the wind was blowing Meng's coat open in the snow. With no sign of his cousin, he needed somewhere to stay the night. An old man enticed him to a second-rate hostel, and despite his annoyance, Meng couldn't shake the feeling that he'd seen this place, and the old man, before. Part of the Storycuts series, this short story was previously published in the collection Madwoman on the Bridge.

In 'Dance of Heartbreak', something happened to a young boy in Grade 4, at Red Flag Elementary School; but even today the whole affair remains fresh in his mind. He'd never met another girl like her; she was a little child of glass, beautiful in her sorrow when she ran to centre stage. For him, she was an archetype. In 'The Diary for August', the inspector looked at the suspect who had been brought in for the incident at the city wall. He was fourteen or fifteen, dripping wet from the swimming pool where they had found him, and both his legs were trembling. It looked like he knew he had caused a disaster. Part of the Storycuts series, these two short stories were previously published in the collection Madwoman on the Bridge.

In 'How the Ceremony Ends', it was last winter that the folklorist paid his visit to the village of Eight Pines. He wanted to collect folk tales and customs, to re-enact the ceremonies of life and death that only old men still remember. But somehow he managed to provoke the villagers. In 'The Water Demon', at the beginning, no-one noticed the little girl on the bridge. No-one knew what she was doing; she just stood and watched. She would call out loudly, 'Here comes the water demon! Get out of the water or he will get you by the feet!' and tear away out of sight. Then, one day, there was no little girl on the bridge. Part of the Storycuts series, these two short stories were previously published in the collection Madwoman on the Bridge.

Bao Qing was a classic example of what people in Maqiao meant when they spat out the word 'intellectual'. Coming home to his old town for the holidays was just as much trouble as not coming home, for this was a town where his old schoolmate Fatcat had every local business in his pocket. And Fatcat considered the returning 'professor' a celebrity. Bao Qing was about to get an invitation he could not refuse. Part of the Storycuts series, this short story was previously published in the collection Madwoman on the Bridge.

Olson is trapped in a city that is on the hunt for him. He has nowhere to run as the whole place is sealed from the toxic atmosphere. Nobody wants to help him until he meets a scientist who knows his true origins. Meanwhile, back home, his friends are caught under the thumb of a brutal regime, until they decide to fight back.

Disgraced Secretary Ku has been banished from the Party - it has been officially proved he does not have a fish-shaped birthmark on his bottom and is therefore not the son of a revolutionary martyr, but the issue of a river pirate and a prostitute. Mocked by the citizens of Milltown, Secretary Ku leaves the shore for a new life among the boat people on a fleet of industrial barges. Refusing to renounce his high status, he maintains a distance - with Dongliang, his teenage son - from the gossipy lowlifes who surround him. One day a feral little girl, Huixian, arrives looking for her mother, who has jumped to her death in the river. The boat people, and especially Dongliang, take her to their hearts. But Huixian sows conflict wherever she goes, and soon Dongliang is in the grip of an obsession for her. He takes on Life, Fate and the Party in the only way he knows . . .