A truly inclusive celebration of architecture around the world and across the ages.

Traces the development of architecture all around the world from the pyramids of ancient Egypt to the National Gallery of Art in Washington, D.C

The Brutalist aesthetic is enjoying a renaissance - and this book documents Brutalism as never before. In the most wide-ranging investigation ever undertaken into one of architecture's most powerful movements, more than 850 Brutalist buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions. Much-loved masterpieces in the UK and USA sit alongside lesser-known examples in Europe, Asia, Australia, and beyond - 102 countries in all, proving that Brutalism was, and continues to be, a truly international architectural phenomenon.

The spirit of an era is reftected by its architecture. The worldwide turbulences of the past years have led to a correspondingly unparalleled diversity of buildings. This compendium presents an international exhibition of contemporary architecture against a backdrop of global trends, local traditions, functional demands, economical constraints and individual styles. The selection includes stunning designs from the most sought-after architecte and talented up-and-coming companies, demonstrating new interpretations of forms to suit anticipated future demands. The Atlas of World Architecture sets a benchmark for buildings of all typologies from the past five years that have earned their place in architectural history.

A condensed version of the information contained in the ground breaking Phaidon Atlas of Contemporary World Architecture, this travel edition is pocket sized and portable, ideal for the holiday or business traveller. Organized geographically and illustrated with global, regional and sub-regional maps, locating each building, plus twenty seven city orientations, the book contains 1,052 buildings, each of which is illustrated with a single image, and is accompanied by a brief description as well as the address and telephone number

Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.