In this ambitious study of the intense and often adversarial relationship between English and American literature in the nineteenth century, Robert Weisbuch portrays the rise of American literary nationalism as a self-conscious effort to resist and, finally, to transcend the contemporary British influence. Describing the transatlantic "double-cross" of literary influence, Weisbuch documents both the American desire to create a literature distinctly different from English models and the English insistence that any such attempt could only fail. The American response, as he demonstrates, was to make strengths out of national disadvantages by rethinking history, time, and traditional concepts of the self, and by reinterpreting and ridiculing major British texts in mocking allusions and scornful parodies. Weisbuch approaches a precise characterization of this "double-cross" by focusing on paired sets of English and American texts. Investigations of the causes, motives, and literary results of the struggle alternate with detailed analyses of several test cases. Weisbuch considers Melville's challenge to Dickens, Thoreau's response to Coleridge and Wordsworth, Hawthorne's adaptation of Keats and influence on Eliot, Whitman's competition with Arnold, and Poe's reshaping of Shelley. Adding a new dimension to the exploration of an emerging aesthetic consciousness, Atlantic Double-Cross provides important insights into the creation of the American literary canon.

This text is an account of the vibrant international network that the American soci-political reformers constructed - so often obscured by notions of American exceptionalism - and of its profound impact on the USA from the 1870's through to 1945.

For five weeks—from April 14 to May 21, 1927—the world held its breath while fourteen aviators took to the air to capture the $25,000 prize that Raymond Orteig offered to the first man to cross the Atlantic Ocean without stopping. Joe Jackson's Atlantic Fever is about this race, a milestone in American history whose story has never been fully told. Delving into the lives of the big-name competitors—the polar explorer Richard Byrd, the French war hero René Fonck, the millionaire Charles Levine, and the race's eventual winner, the enigmatic Charles Lindbergh—as well as those whose names have been forgotten by history (such as Bernt Balchen, Stanton Wooster, and Clarence Chamberlin), Jackson brings a completely fresh and original perspective to the race to conquer the Atlantic. Atlantic Fever opens for us one of those magical windows onto a moment when the nexus of technology, innovation, character, and spirit led so many contenders from different parts of the world to be on the cusp of the exact same achievement at the exact same time.

The classic account of how British intelligence penetrated and practically operated Nazi Germany’s spy network within the British Isles With great imagination, care, and precise coordination, the British were able to identify Nazi agents, induce many to defect, and supply completely false information to Germany about bombings, battles, and even the D-Day invasion. Told by the man who masterminded the entire, unbelievable four-and-a-half-year scheme, and filled with extraordinary stories and dazzling tidbits, The Double-Cross System is a testimony to Britain’s skill in the fine art of counterespionage.

New York Times Bestseller One of the Best Books of 2021 by Time magazine, the Chicago Tribune, the Boston Globe and Esquire, and one of Oprah’s 15 Favorite Books of the Year “The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.” —Kiese Laymon A major literary event: an explosive, previously unpublished novel about race and violence in America by the legendary author of Native Son and Black Boy Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would see publication in Wright's lifetime only in drastically condensed and truncated form, and ultimately be included in the posthumous short story collection Eight Men. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

Bordered by the Atlantic Ocean and Acadia National Forrest, Bar Harbor is one of the most beautiful places on earth. Five thousand people call the Bar home but the summertime population swells as tourists from around the world descend like a swarm of bees.Normally, crime is not a big problem for the local police chief; an occasional fight in one of the water front gin mills or maybe an arrest for selling or using weed. But when an elderly couple is brutally murdered during a home invasion, things begin to change. Murder, sex, deceit; ingredients for a thrilling murder mystery. One that will keep readers on the edge of their seats.